“I’m descended from Alexander Cooke, who worked his way up from an indentured stagehand to an actor in the King’s Men, alongside old Bill Shakespeare.”

“Who?”

“Our Cervantes,” said Cooke. “I imagine the plays and poems haven’t been translated yet, but they’re terrific at cheering you up if you’re in a bad mood or darkening your mood if you’re too cheerful, which is a very neat trick common to great scriblarians.”

“If he’s anything like Cervantes, your ancestor was a lucky man…even if he had to laugh through his tears,” said María Nereida.

“He was lucky,” Cooke said. “His son–also Alexander–was able to turn his inheritance into a plantation in the New World. He was also able to use it to get away from his wife in London.”

“I sense that your mother was not appreciative of that,” María Nereida said.

“I think she was less appreciative of that than the fact that she wasn’t my mother,” laughed Cooke. “My father took his son with him to the New World and then met my mother when he bought her in Jamaica. It was quite the scandal.”

“Why is that?”

“You have to understand that we Englishmen have a different and much less enlightened view of such things than you Spaniards,” Cooke said. “As the child of my father’s property, I was property myself. He was a good man, more or less. He freed Mother and I even as he kept her kinsmen in bondage, and he brought my half-brother and I up as equals and educated us in the running of his plantation.”

“But things surely did not stay happy, or else you would be there and not here.”

“That’s one way of putting it,” Cooke laughed ruefully. “When Father died, Anthony wasn’t content with a half-share of the plantation. He took the whole thing, and added to his profit by selling me.”

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The last acting job Lydia had gotten wasn’t even worthy of the title; it was more of a thinly veiled con. They’d thrown her in a dress and heels next to a guy in a suit on a newsroom set and had them do a fake story, complete with cutting to a “reporter in the field” one set over. The whole production was designed to look like a regional newscast, complete with realistic if generic logos and animations added in postproduction.

Some company out of Encino arranged the whole deal; they were willing to pay good–well, modest–money to put Lydia’s “newscast” in pop-up ads. People with low IQ’s or short attention spans might mistake it for the real thing and try out the product extolled in the spot. Lydia had to memorize a dozen lines about how recession-addled people were paying to bid on so-called penny auctions and at 75¢per bid wound up walking away with an iPod or something at 80% off the asking price.

Austin’s company had handled some of the postproduction work, and Lydia had watched him whip up a faux “Channel 9 News” screen tag after the shoot. Lydia had been toying with the idea of rolling a little of her paycheck into the auctions she was shilling.

“Don’t,” Austin said. “It’s the nearest thing to absolute evil I’ve ever seen in a business plan.”

“Why?” Lydia asked, watching the screen dance with colorful counterfeit news branding. “If you have to pay to bid, it means fewer bidders and it’s in everyone’s best interest to see the auction end quick and cheap.”

“It’s a brinksmanship game that preys and the darkest angels of human nature,” Austin said. He took a sip from his coffee while running the mouse with two fingers. “Once someone pays money to bid they’re invested in the outcome, which means they’ll bid long past the point of profitability. You might lose $700 before winning an iPod, which you still have to pay for and which they just buy from Amazon and ship to you.”

“I think I could beat the system,” said Lydia.

“So does everyone else. And as long as you just take the money for their stupid commercials and run, you will.”