People start wandering, dazed, out of their cubicles. There’s no possibility of doing any work, even without he papers lying around your office. There’s inevitably some vital communication, some crucial detail, that’s locked away online. You see some of the more active go-getters using their smart phones, but more often than not they’re checking personal sites or looking at tiny funny cat videos rather than trying to be productive.

You find yourself talking with people you rarely see upstairs about things you didn’t know you had in common. That feeling in your chest at not being able to work seems about 50% annoyance and 50% relief. No, sorry, I didn’t get that report done. Network outage, remember? A deep and secret part of you wonders, wishes everyone would be sent home without pay. People begin to trade in rumors of a cause. Squirrels in transformers. Idiots with backhoes on the interstate. Fuses blowing in the data center.

Perhaps, if the outage lasts long enough, you’ll grow more contemplative in your conversations with yourself and others. What if the network never returns? EMP pulse, terrorist attack, corrupt disc, file not found, forever. How would you manage your life, pay your bills, entertain yourself? There’s been a network for twenty years, your entire adult life. You panic a little, trying to remember wha toy can from a less-wired childhood. It’s the addict’s panic on realizing that the next fix may not be coming.

You recall a colleague saying something over lunch, half in jest. He said that, when the inevitable Big One drops and civilization comes crashing down, alien archaeologists looking after us millennia later will be puzzled at why our civilization produced nothing after 1950 or so. Stuff that will survive–paper, carvings in stone–haven’t been made in about as long, and everything else is either digital-only or soon will be.

It’s a sobering thought, one that the glee of a half-day or day off can’t quite chase away.

The last acting job Lydia had gotten wasn’t even worthy of the title; it was more of a thinly veiled con. They’d thrown her in a dress and heels next to a guy in a suit on a newsroom set and had them do a fake story, complete with cutting to a “reporter in the field” one set over. The whole production was designed to look like a regional newscast, complete with realistic if generic logos and animations added in postproduction.

Some company out of Encino arranged the whole deal; they were willing to pay good–well, modest–money to put Lydia’s “newscast” in pop-up ads. People with low IQ’s or short attention spans might mistake it for the real thing and try out the product extolled in the spot. Lydia had to memorize a dozen lines about how recession-addled people were paying to bid on so-called penny auctions and at 75¢per bid wound up walking away with an iPod or something at 80% off the asking price.

Austin’s company had handled some of the postproduction work, and Lydia had watched him whip up a faux “Channel 9 News” screen tag after the shoot. Lydia had been toying with the idea of rolling a little of her paycheck into the auctions she was shilling.

“Don’t,” Austin said. “It’s the nearest thing to absolute evil I’ve ever seen in a business plan.”

“Why?” Lydia asked, watching the screen dance with colorful counterfeit news branding. “If you have to pay to bid, it means fewer bidders and it’s in everyone’s best interest to see the auction end quick and cheap.”

“It’s a brinksmanship game that preys and the darkest angels of human nature,” Austin said. He took a sip from his coffee while running the mouse with two fingers. “Once someone pays money to bid they’re invested in the outcome, which means they’ll bid long past the point of profitability. You might lose $700 before winning an iPod, which you still have to pay for and which they just buy from Amazon and ship to you.”

“I think I could beat the system,” said Lydia.

“So does everyone else. And as long as you just take the money for their stupid commercials and run, you will.”