The store’s anti-theft system pinged. It was a gentle series of three tones, barely audible or distinguishable from a ringtone. Certainly nothing like the klaxon sirens of old, reflecting the fact that it was more profitable for Metromart to let the occasional shoplifter escape than to alienate customers who had forgotten an item in the bottom of their carts.

“We’re sorry, the Metromart automatic inventory control system has been activated. Please wait for an associate to assist you.”

No associate arrived, and there was no customer to wait for them; it scarcely mattered, as the tones and pre-recorded message went off again and again, looping with just a tiny interval in between. The sliding doors just behind them did the same, endlessly opening, blasting the cold winter air with overhead heaters, and closing again.

A screen near the entrance lit up. “Welcome to Metromart number [static], proudly serving the greater [static] area,” it said in a synthetic female voice. “Today’s specials are [static], [static], and [static].” Brightly colored boxes swirled into place, with placeholder graphics in place of the special items.

Screens all over the store, in fact, churned on loops with both canned advertisements and procedurally generated content. The Metromart was busy and bright, with every sound reflecting off spotless walls and every sight mirrored in glossy tile. But there were no customers.

And there never would be.

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“What do you mean,” Chris said, “that you designed a Library of Babel simulator?”

“Didn’t you ever read Borges?” Sam replied. “The Library of Babel is a short story about a library that contains every possible arrangement of letters and basic punctuation that can fit in a 410-page book with 40 lines per page and 80 letters per line.”

“So it would include very book that was ever written?” said Chris, sounding mildly interested. “Every book that could ever be written? The answer to life, the universe, and everything?”

“In theory, but that’s what this virtual site is supposed to prove is ridiculous,” Sam retorted. “That library would have at least 1.956 times 10^1,834,097 books, and for every genuine book there would be uncountable billions that were off by just enough to make them worthless. In essence, a library with infinite books is almost exactly like a library with no books.”

“Well, fire it up then,” said Chris. “Let’s see. Maybe we’ll get lucky and get some Shakespeare.”

Sam pulled up his program and it spat out its first book onto the screen. Entitled JJRQMPE RIJ RDYFSDT OPO LTXFGVOQRVM SVS, it began with the immortal line “AAFHF DPTNJRXYBTJHEQRCQMYIVFN, HGEF H.”

“Womp womp,” Sam said. “Care to try again?”

“Sure,” said Chris. “Hit me!”

The program created another book and filled the screen with its first page. THE HITCHHIKER’S GUIDE TO THE GALAXY, proclaimed the title, continuing: FAR OUT IN THE UNCHARTED BACKWATERS OF THE UNFASHIONABLE END OF THE WESTERN SPIRAL ARM OF THE GALAXY LIES A SMALL, UNREGARDED YELLOW SUN.

Text generated by the Library of Babel online with apologies to Douglas Adams.

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“We’d like the welcome our Gold Pearl Medallion Cubic Zirconia Members aboard Alpha Airlines Flight 1666.”

“Damn.”

“Next, our first class passengers may board at this time.”

“Not me.”

“Coach passengers with disabilities, small children, or disabled small children are welcome to board Alpha Airlines Flight 1666 at this time.”

“Still not me.”

“Now boarding Zone 1. Passengers who paid extra for Zone 1 boarding may board at this time.”

“Darn it, I won’t have anywhere to put my suitcase!”

“Zone 2. Zone 2 passengers may board at this time, through the General Boarding Lane we set up so that people crowd the wrong place before their number is called.”

“Aah, there’s hardly anyone left! Uh, Miss?”

“Yes?”

“I was wondering how long I have to wait before I board.”

“Just until we call your zone number. What’s your zone number? It should be on your boarding pass.”

“Zone 5.”

“What?”

“Zone 5.”

“That’s impossible, Alpha Airlines only goes up to Zone 3.”

“I’m telling you, that’s what it says. See? Zone 5.”

“Hmm.”

“So can I board now?”

“No, I’m afraid this means you can never board, since we will never call this zone.”

“What?”

“And, since your ticket has an impossibility on it, airport security will want to have a word with you in a locked room with a two-way mirror.”

“What??”

“That’s right, officers. Take them away. Now boarding Zone 3. Zone 3 passengers may board at this time.”

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01. No noise in the library.

This includes talking, incidental noise, and the false noise of tinnitus. Special sound dampeners, imported from the Grand Mosque in the Hyperkingdom of Saudi Arabia, create a dead zone from which no sound may be heard (though due to the design of the device, imams may escape its effects).

02. Library circulation, questions, and study must be done telepathically.

The library has a contract with Pathetel™ to allow use of thought-jacking for users with a level 6 wet neural interface or higher. Please make sure that your thoughtname and thoughtword are up to date. Please make sure to think at a low level, lest nearby patrons mistakenly receive errant thoughts. Patrons with level 5 or earlier wet neural interfaces, or dry neural interfaces, will not be able to use library resources without the help of an interpretive telepath.

03. Library items may not be copied in violation of copyright.

The library respects and abides by all intellectual property laws. As such, the contents of all items will be wiped from your memory upon returning the item, leaving only a vague sense of what you have experienced.

04. Do not use library neural interfaces for ultraporn.

Library neural interfaces are for patrons to use in browsing library services or surfing the ultranet. They are not to be used for ultraporn, hyperyaoi, megalolichan, or any other high-bitrate neural adult content. Any patrons caught doing so will have their interface re-tuned to Sesame Street: The Next Generation.

05. Items must be returned no later than the last date shown.

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In the most secluded part of the resort…

The scraps of what had been told him echoed through Hazel’s brain, tearing at the edges of his consciousness as he walked in a dreamlike daze through the turreted battlements and colorful flags.

…there is an ash with golden boughs…

The few people Hazel saw were hurrying in the opposite direction, toward the park exit. Some of the attractions were belching acrid smoke, with the system-wide electrical problems and shorts in the wiring probably to blame. Perhaps he had gone too far in arranging it, but it was all for a good reason.

…it has been there a thousand years…

“Sir, I must ask you to evacuate the park!” A Gisnep Parks security officer confronted Hazel, blocking the service entrance to the Gala Gardens. “It is not safe to remain here!”

…and will stand a thousand more…

“I have to go,” Hazel said sleepily. “It’s calling me.”

…the architect of this place knew…

“S-sir, you will evacuate now!” The Gisnep Parks man leveled his Taser at Hazel. His hands were trembling, his aim shaken by the circumstance and Hazel’s detachment. It was also a good bet that he’d never had cause to aim, let alone fire, the thing before.

…it is the hub the world turns upon…

“Can’t you hear it?” said Hazel. “Mr. Gisnep knew, when he built this place. And now I will know as well.” He started a bit as the electrodes hit his chest, but the current had no effect. Maybe the Taser was broken, or the nervous Gisnep rent-a-cop fired it wrong. Or maybe it was the Tree.

…to protect it is to bring fortune…

The Gisnep Parks guard dropped his weapon and fled. Hazel pulled the electrodes out and opened the gate the man had left ajar. He wandered among the Gala Gardens, following the sweet golden melody even as warbled and distorted versions of the Gisnep Anthem commingled with the evacuees’ screams in the background.

…to nourish it is to achieve immortality…

The Tree was the lone ash in the Gardens, its position reflecting neither its importance nor its power. Old man Gisnep must have known, even as he built his great resort around the Tree to protect it and to harness its positive energies, that the best security was often obscurity.

…to destroy it is to unmake the world…

“I have come,” Hazel said in a low voice. “I was called and I have come. What would you ask of me? What would you use me for, amidst the dreams of thousands turned nightmare?”

…to touch it is to touch creation.

“I see.” Hazel removed one of his gloves and reverently placed a hand on the Tree’s trunk. Eyes widened, pupils dilated, and he beheld.

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“Should we get out?”

“No, we wait here until they come for us,” sighed Liam Colman, the driver, who was answering the question for at least the 17th time.

He had been taking a safari vehicle with six Gisnep Resort guests through the animal preserve area of Gisnep’s Wild Kingdom theme park. The tour was designed to obfuscate the electric rails powering the vehicles and gloss over the fact that the enclosures were essentially a glorified zoo. That meant, however, that when the power failed, they were stuck mid-tour until the gas-powered tow vehicle could reach them.

Until then, Colman was stuck babysitting four adults and two children in the midst of a grey and rainy day, the sort that never appeared in Gisnep Resort pamphlets. He’d passed out plastic cups of water from the vehicle’s emergency stores, and was now stuck answering inane questions.

“Did you feel that?” said one of the kids in back.

Colman was about to roll his eyes, silently thinking that the rugrat just needed a diaper change, when he felt it too. Ripples were visible in the cups of water still on his dash.

“Maybe it’s the power trying to come back on,” said one of the older tourists, sounding not at all convinced.

Colman gripped the steering wheel tightly. “It’s an…an impact tremor, that’s what it is,” he said to himself quietly. “I’m fairly alarmed here.”

A moment later, the nearby foliage gave way as a mature African bull elephant noisily emerged. Colman’s passengers, white with fright, shrieked even as he tried to quiet them down.

“Keep absolutely quiet,” he hissed. “Its aural acuity is based on sound!”

Despite his admonitions, the elephant continued to walk at the tour vehicle…and straight past it, continuing into the brush further down the trail.

“I thought…I thought it was going to eat us!” one of the kids gasped.

“It’s a herbivore, kid,” said Colman, wondering anew when the rescue vehicle would arrive.

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“Is this place really ‘The Most Fun On Planet Earth?'” asked a chunky tourist wearing a Seattle Sonics sweater.

The guide laughed. “That is actually the trademarked logo of our sister park, Gisnep Wonderland in California,” she said. “But I think you’ll find that even though we are number two, the difference in fun is statistically insignificant.” The look on her face spoke volumes about getting this question all the time and her satisfaction in composing an appropriately peppy but still cheeky response.

A flabby hand went up in the back, from a passenger uncomfortably separated from their Rascal scooter for the duration of the tour. “Why is the symbol for Gisnep Resort a tree?”

“Oh, you mean the Tree Ring?” the guide said, with a little snicker about her clever response.

“Yeah,” said the guest, who took up a row of seats designed to hold three adults. “I would’ve expected the logo to have something to do with cartoons or movies.”

“Walpert Gisnep was actually an environmentalist, and he believed strongly in making sure arboretums and trees were a part of the Gisnep Resort,” said the guide. “That’s why we have more green space than the next three of our competitors combined! Mr. Gisnep often used the tree as a metaphor for his company, with everyone from the trunk to the leaves participating in making it strong.”

A third hand went up, this one belonging to a stubby kid who looked like he was destined for a Rascal of his own in a few short years, but the guide was never able to call on him.

The motorized tour carriage ground to a halt and the doors automatically snapped open. as power from the overhead lines went dead.

“Carl?” the guide whispered to the driver with her hand over the mic. “What’s going on?”

Carl could only shrug, but the question was answered moments later over the loudspeakers:

“There has been a power failure. Please locate the nearest exit and proceed to it calmly and quickly.”

Pandemonium ensued.

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INTERVIEWER: Welcome once again to Spirit Guides, the talk show where we channel the spirits of the deceased for the edification and amusement of the living. I’m your host, Madame Epicurie, and I have a very special guest with me here today, the shimmering spectral form of Walpert “Walp” Gisnep. Mr. Gisnep, as you know, died of pancreatic cancer in 1969 but the entertainment empire he built in the form of the famously family friendly Walp Gisnep Company, survives to this day. Welcome, Mr. Gisnep.

GISNEP: Please, call me Walp. Glad to be here, Madame Epicurie.

INTERVIEWER: I thought I would begin by airing some of the most common criticisms of the Walp Gisnep Company, to give you a chance to respond in person to them. First, what do you say to the accusation that the company you founded is a stultifying force of conformity, forcing media consumers into a conservative and heteronormative mold?

GISNEP: Companies are products of their time and reflect the attitudes thereof, with few exceptions. Big companies like mine are bigger targets, but even ones that are the darling of the critics, like Gaggle Inc. or Pear Computer, are guilty of this to one degree or another but are better at spinning the media to deflect criticism. Those companies steal and use personal data for their own nefarious purposes, yet Gisnep is a more tempting target because of its visibility. You’ll note that many of my competitors, like Working Dreams XLG, have failed to attract the same criticisms despite aggressively gunning for the same market segments.

INTERVIEWER: So you hold the Walp Gisnep Company blameless?

GISNEP: Not blameless, Madame Epicurie. No one is blameless. But everyone aims for the biggest target, and there is an innate human need to see the mighty brought low.

INTERVIEWER: Fair enough, Walp. What about the accusation that your company is anti-union and anti-Semitic?

GISNEP: That’s partly my fault, I will admit, for making some rather tasteless jokes in my earlier animations that were the product of a less culturally sensitive age. But if you look at the top employees and top actors in my company, you’ll find plenty of yordim among them. It’s an easy criticism to make, and a hard one to disprove, and so an easy stick to beat someone with.

INTERVIEWER: And anti-union?

GISNEP: Again, that is mea culpa. I always saw my company more as a family than a business, and anyone who has ever worked for a family business will tell you how lousy the pay is. But you have to admit that the key incidents in that rumor are older than the Second World War at this point. And I challenge you to find a pro-union attitude among employees at Working Dreams XLG, Gaggle Inc., or Pear Computer.

INTERVIEWER: Interesting. Is there anything you’d like to add before we go to our audience for questions?

GISNEP: Only that rumors of my cryogenic preservation are completely false. Do you think someone who spent most of their life in California and Florida could stomach the idea of such cold for so long? Anaheim forecasters call a week of 45-degree weather an “arctic blast,” for chrissakes.

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And so, thinking to outsmart the terrible truth that men with all their material desires fulfilled live lives of misery, he made the following wish: “I wish that I might meet the love of my life, my perfect match, with whom I might happily live out my days on this earth.”

The djinn, its spectral features unreadable, acquiesced with a simple nod. The man’s other two wishes, for a healthful long life and to spare the life of his father who had been condemned to death, came true so far as the man could see, so he had no reason to doubt that the djinn had made good on its promise.

But as time wore on, the man realized that he had made a fatal mistake: he had failed to specify when or where he might meet the love of his life, or a sign by which he might know them. He was therefore wracked with unease upon every fist meeting, every spark, fearing that the perfect match for which he had wished might still be ahead of him.

They say that, from then on, he led a lonely life, and that he left no descendants to carry on his line despite his long and healthy life. Some say that in a final twist of fate he met his perfect match in a kindly nurse or a fellow sufferer on his deathbed. Some say that the love of his life was sent away out of fear, that there was no provision in the wish for this eventuality, the language being strictly conditional.

All agree that he stands as a sad example of the inability of man to control fate, even with infinite power available to do so.

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This post is part of the February 2014 Blog Chain at Absolute Write. This month’s prompt is “Characters Writing About Authors”

I come down the stairs into the first floor of my dingy and cluttered house, but I am surprised to see that it is more cluttered than usual. Someone has set out a semicircle of mismatched chairs and filled them with a motley assortment of figures who I recognize but can’t quite place.

“What’s all this?” I say. I only came downstairs for a glass of Coke, to raise my screaming kidneys to a new tenor, after all, and certainly not expecting anyone else to be in the place I shared with me, myself, and I.

“What do you think? It’s an intervention, chief.” Leaning on the wall near the front door is my muse, the personification of my creative impulses, in a greasy A-shirt and boxer shorts. Ironically, he’s not even an original idea, but one shamelessly jacked from Stephen King.

“An intervention?” I say. “What for? I don’t even drink!”

“I suppose you’ll need an intervention for that too, sooner or later,” says my muse, sucking noisily on a half empty beer bottle. “But that’s not what this is about.”

“You write lousy endings for your characters, when they even get the dignity of an ending.” The speaker is Vasily Albanov, the Russian star of a science-fiction novel I wrote and which successfully accumulated 75 rejection slips. “We’re here to intervene and talk about it.”

“What? I don’t do that,” I say, incredulous.

“No? You basically made me watch the love of my life die, after betting beaten up first by her and then by monsters, and all I got was a lousy ‘maybe things will get better from here on out’ ending looking up at the stars!” says Albanov.

“You left me with my hometown destroyed, my friends and family and allies scattered, and no clear way forward, you miserable polecat!” chimes Virginia McNeill, the heroine of a revisionist western I’m in the middle of revising.

“I gave you an epilogue!” I say, waving my arms. “It was very optimistic!”

McNeill makes a derisive farting noise with her mouth. “Suggesting that things are somehow going to get better for my great-grandchildren is about as optimistic as Schindler’s List,” she snorts.

“I got basically the same ending, except I had to be content with a goddamn dream,” adds Peg Gregory, the anti-heroine of a space opera trunk novel I tried to salvage years back. “I was abandoned by my selfish excuses for friends, left to take the rap for what was all the fault of an inconceivable alien lifeform, and all I got was a goddamn dream? Most soap operas get better than that!”

“Look, I-” I begin.

“At least you got an ending!” The other side of the room speaks up, led by a scruffy and sullen-sounding youth I recognize as Eric Cummings, the snarky hero of what I had imagined would be a very serious literary novel. “You gave up on me maybe a quarter of the way through!”

“I wrote you an ending!” I counter. “A very heartwarming one! In advance!”

“It was the same as the one you wrote for Peg!” Eric groused. “You stole an ending from your trunk novel to paste somewhere else and thought that no one would notice!”

The chorus was joined by the hero and heroine of my unfinished action novel, the hardboiled protagonist of my noir novel, and a host of others. The room was such a cacophony I could barely hear.

“I’d break out the hors d’oeuvres, buddy, and fast,” whispered my muse from behind me. “This intervention’s about to turn ugly otherwise.”

Check out this month’s other bloggers, all of whom have posted or will post their own responses:
Sneaky Devil
Anarchic Q
Sixpence
SamanthaLehane
pyrosama
Angyl78
meowzbark
MsLaylaCakes
ishtar’sgate

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