“Go on, get out of here!” the shopkeeper cried. He lunged at the transient with a baseball bat. It was just a feint–he’d never have actually connected, not with liability insurance and cameras everywhere–but it was enough to send the interloper scrambling, their ratty clothes flopping in the December chill.

“Why did you do that?” his brother said, speaking in Farsi so that the customers wouldn’t hear. “If that poor thing wants to eat our dumpster food, why not let her?”

“It’s not the food, or the smell,” the shopkeeper replied. “She’s been stealing lightbulbs from the back, probably to hawk for a little extra crystal meth.”

His brother looked up at the dark socket above the dumpster. “Oh,” he said. “Even so, maybe there’s a better way than going after her like the Yankees.”

“If you can think of one, be my guest,” the shopkeeper sneered. “In the meantime, we’ve got customers to help and floors to sweep when those run out.”

“All right,” the shopkeeper’s brother said, with one last look into the cold darkness. “All right.”

A few blocks away, the transient stopped running under a viaduct where she often took shelter. Filthy, stained gloves rummaged in her found garments and produced the bulb she had taken from the store–an older model incandescent.

She pulled off one glove and cupped the bulb lightly between wrinkled fingers. It flickered and began to glow, eventually reaching its full brightness and warmth in her hands, unconnected to any grid.

Beneath the viaduct, in the cold and the wind, she laughed with childish delight through toothless gums.

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The two spirits trapped in the same husk argued for an age
Over who sould control the visage
That neither had sought
But with which both were trapped
In time, they came to an accord
With halting hands the husk carved and painted two masks
One for the bound spirit
One for the lost soul
They made an accord for six days out of each week
Three for one mask and three for the other
Three for sadness, anger, and hope
Three for regret, vengeance, and dreaming
And the seventh day was for the husk
Maskless to sit in memory of the flown essence
Its open face a memorial

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“The Great Catastrophe…it has many names, and none do it justice. A great black sun moved through both our skies, laying waste to all its tainted light touched.”

Aquamarine lights danced about the chamber, pulsing in tune with the rhythm of the speech.

The Feyqueene spread her spindly fingers wide. “Our people had long known of each other, but the Great Catastrophe forced us to unify against a common threat. We agreed to merge our two spheres, repairing the damage wrought to two by suturing them into one. Perhaps you can guess what problem there was with this arrangement?”

“There wasn’t enough room,” said Quinn. “Not enough room for both you and us.”

“Very good. So we made a bargain in blood, a pact of steel: every thousand years we would swap places. The dominant kind would live as they had, whilst the other would live on only as myth and legend, eking out the most miserable of existences.”

“I don’t understand how that could work,” Quinn said.

“Do you understand how a nuclear reactor works?” snapped the Feyqueene. “And yet you accept that it is so, and that larger minds than yours are required to grasp the finer details.”

“Fair enough…but what happened?”

“The first to rule was determined by a game of chance. For the first cycles, all was well. Every thousand years, one of us would be sent to wrack and ruin as the other reemerged, leaving the others as the barest phantoms, in agony.”

“But we reneged on the deal, didn’t we?” said Quinn sadly.

“Of course you did! Duplicitous, shallow beings that you are!” spat the Feyqueene. “One of your kind–I have forgotten his name–found a way to avoid the neccessary ritual. And so now it has been six thousand years since we last switched, and our combined world groans at the strain that this has put on it.”

“So you mean to switch back.”

“We mean to put you through what we have suffered. We will make the switch at first light on Midsummer’s Eve, as the contract specified. Then we shall destroy it and make this world ours forever in revenge.”

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In time, the waters rose. In time, much of the land was borne away on watery hands, silting off into the deep which never gives up that which it has taken. In time, only a handful of trees remained above the ripples to show that the water had ever been held at bay, that hills low and forested had ever existed.

Nourished by lenses of fresh water that ebbed with each passing year, the great gnarled trees kept their silent vigil over glassy waters. An epitaph for an island, a mausoleum for a mound.

One day, it is to be hoped, someone will look across the expanse and see them. One day, it is to be hoped, they will wonder how a tree ever came to grow under such conditions. They, whoever they are, will see and wonder. And in that way, in only that way, the island-that-was will be remembered.

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Found mostly in
Pretentious literary
Fictions

The metaphor spider
Spins silken words
Together

No like no as
Only ideas compared
Concretely

The spider webs
Cross the pages
Unbroken

Awaiting willing
Readers to be
Entangled

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Snow begins with shadow.

Sharp, frenzied cries pierce the dark. He is running now, his friends forgotten, through calf-deep drifts. Even when the cries have stopped, he can hear and he can feel.

Snow finalizes shadow.

There was no warning. Darkness given shape and form had risen up and battered the campsite to ash. Only the screaming blanket of wind, which siphoned warmth in lieu of gifting it, remained.

Snow is shadow.

The shape was behind and in front, a marriage of dark and light. Everywhere and nowhere, looming. He falls. Blood from the gaping injury completes the snow, speckled across a surface that it returns to ancestral water. Darkness devoured the ice. It shone in the rising moon, as the shadow upon its surface receded.

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Said she: “Why dost thou do this, the selling of tissues? Surely the income thou earnest cannot cover thine costs, not in a time and a city which hast known much of sorrow yet prides itself on never shedding a tear.”

Said he: “It is my lot to soak up the tears of a weeping world. For all they who hold in the weeping for lack of something soft with which to meet their sorrows, I am there. For all those who wish to comfort and dry the tears of their dearest ones, I am there.”

Said she: “But why?”

Said he: “For I have known much of weeping in my own life. I have never turned down a person who sobbed but could not pay.”

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Thomas should have known that there’d be more to the tale than he’d read. The great and mysterious Armadillo of Chachatusco wasn’t going to give up its secrets that easily. Greater men than he had wondered what the Incas had meant in its giant bulk, its nine tons of solid and worked stone in the form of a coiled armadillo. In finding the Quipu of Manyana Capac, the great lost chain of talking-knots held fast by a long-obscure relict population of Incas, Thomas had been sure he had the key to the mystery. Go up to the stony thing, say the proper words in Quechua, and voila.

When the big damn thing thundered down off its plinth and began rolling at him, Thomas came to see his error. Rolling through the built-up streets of Chachatusco, with Thomas only steps ahead of it wailing and flailing, the armadillo threatened to claim its first victim since the Viceroy of New Spain had tried to destroy the thing with a cannonate in 1697. It was some small comfort to be merely crushed instead of decapitated by a cannonball ricochet, though.

Chachatusco was at the edge of a great plateau that sloped down gently into the Atacama Desert; there was nothing to stop the thing once it was on a roll. Thomas was just a few steps ahead of the rolling armadillo of doom and beginning to run out of steam when a laughing Chachatuscano cried out to him.

¡Debe ejecutar de lado, idiota!” he cried. “Run sideways, stupid!”

Thomas felt very dumb as he took a rolling tumble into a side street. The armadillo felt very large as it took a tolling rumble down the street regardless.

Thomas followed it at a safe distance, commandeering a scooter after throwing a wad of bills at its former owner. In about half an hour, the giant stone armadillo was rolling across the sands of the Atacama Desert toward the sea. Thomas quietly worried that it would reach the brackish waters, submerge, and its secrets would be forever lost to anyone without dive equipment and the winch to rule all winches.

Luckily for him and his lack of dive gear and winchery, the rolling stone armadillo came to rest in a great mass of sand near some mostly buried Inca ruins. Wherever it had come to lie, it was home.

Thomas, approaching it gingerly for fear of a renewed squishing, jumped back as the armadillo shell began to crack open and unfurl with a series of gunshot-like noises. Approaching it, the intrepid explorer was shocked to see that it did not, in fact, contain stony ‘dillo bits on its inside.

Instead, there was a massive pearl, big as a tin of jam, with a cloudy yellow liquid sweating from it in vast quantities. Thomas, who had been without a drink for some time and was further dehydrated from the extreme sport of ‘dillo-fleeing, knelt down and lapped up the liquid.

It was chicha de jora, the famous alcoholic corn beer that the Incas and their descendents had guzzled for centuries. “The legends are true!” Thomas crowed. “The Incan Pearl of Eternal Beer!”

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For theirs was a city
Build from staples and paper
But even at its coolest
Its cleanest
Its most paved
They were there
In the gutters
In the furrows
Beneath floorboards
Behind walls
Listening
Watching
Waiting
Probing for weaknesses
And every piece of information
Every chink in the armor
Borne on scurrying legs
Borne on owls’ silent wings
To the great king
Whose domain they had displaces
Who waited on silent throne
To reclaim what was once his
And would be soon again

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The Lady in Black has been described by those who have had rare personal audiences with her as personable, even friendly. She has always given fair hearings to those who have managed to attract her attention, and doled out terrifying punishments to those found wanting. But the specter of enduring a lifetime of agony over seven days of the breaking wheel is not the reason few seek her out.

Rather, it is the Lady’s retinue, the Faceless Six.

She is never without the Faceless, at least not that any have ever seen. Even when a supplicant is able to meet with her, she is always surrounded by the Six, and the Six are always closer than she. Their features are concealed behind featureless black masks, broken only by a pair of black lenses like two pools of inky liquid. They wear robes and hoods, gloves and boots, so that not an inch of their true skin can be seen, and they kill any who approach too close to their Lady.

The robes conceal, for each of the Six, a set of short blades that are used to ward off interlopers with a slash and end them with a stab. Lest you think, as many have, that this makes them weak to a canny sniper, this is not the case. They will form a testudo about the Lady if confronted by arrow or shot, faster than the eye can see, and they will respond with repeating rifles hidden beneath their vestments. No one has ever witnessed a shot that has harmed one of the Faceless Six, but their aim is unerring in returning fire, and later examination of the bodies they leave in their wake never reveals a projectile.

Myriad are the theories and speculations behind the Faceless Six, how they came to serve the Lady, and what truly lurks beneath their masks:

The Hostage
– The Lady in Black is at the mercy by the Faceless Six, who control access to her and therefore control the city. But why, then, do they never speak?

The Figurehead – The Faceless Six are the true rulers, and the Lady in Black is but a figurehead for their depredations. But why, then, do they not dispense with her altogether? She has no more claim to rule than they.

The Divided – The Faceless Six and the Lady in Black are all aspects of a single being, one that divided itself to better lead and to survive should one of its parts be harmed or destroyed. But why, then, are six of the parts outwardly identical? No other divided being is such.

The Foil – The Lady’s kindness is an act, and she uses the Faceless Six as enforcers to allow her reputation to remain untainted by the steel that must be drawn to remain in power. But why, then, are the Six never seen alone or apart from her?

In general, though, the citizens under the Lady’s control espouse one theory above all others:

Don’t Ask – The Lady’s reasons are her own, and anyone who pries too deeply into her affairs, or those of the Faceless Six, is apt to find the seven of them waiting when they return home. Those who emerge from such a meeting with only a death sentence on the breaking wheel are the lucky ones.

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