“And here we have the non-circulating collection.”

Gus examined the nondescript-looking cabinet, notable only for the heavy padlock which secured it. “What can we possibly have that’s worth putting behind a lock that beefy?” he asked Sally.

She shrugged. “Rarities, mostly. A lot of Oscar promos. One of the DVD’s is signed by Martin Scorsese. Another’s a rare blooper made from the raw workprint instead of a matted and cropped version.”

“So why keep them here?”

“Lots of reasons,” Sally sighed. “Coruthers up in Archives doesn’t think movies are art so he won’t touch ’em. Profs in Film Studies sometimes take ’em out to flash around. But most of all…” She lowered her voice. “It makes it look like we’ve got something to hide back there.”

Gus blinked. “But we do!”

“Exactly. When–not if, when–people break in, they go straight for the lockbox. A smash n’ grab could make off with a thousand dollars of DVD’s if they wanted, but every minute they spend trying to cut that beast open is one more minute we have to catch ’em.

“How long has it been gone?”

Cecelia consulted her computer. “It was scanned on the twelfth. East desk, and just before closing according to the system.”

“Who would be there on Saturday night?”

“Gertrude, I think,” said Cecelia. “I can check the schedule if you’d like.”

“No, no,” Quinn rubbed his temples. “It makes sense. She’s the most junior person the library’s got, so she gets the graveyard shift on the weekend. Low stress, get your feet wet, and all that. At least that’s what they told me when I used to work it.”

“If you want to talk to her about it-”

“No,” Quinn said. “You’d have already done that, at least if you’re half as professional as I’ve come to believe.”

Cecelia flushed a little. “Well, yes. She said that it was an average-looking man with a valid library card, and nothing seemed odd.”

“Not even the fact that it was called ‘On Symbologie’ with fancy letters and fancier spelling? Not even the fact that the book was stamped “do not circulate, do not remove from building?”

“She checked the inside cover, and said there were no stamps, and the edge was gilded; it wouldn’t hold ink.”

“I suppose he could have pasted in a fake page to cover the stamp,” Quinn mused. “Easy enough, I guess; we don’t exactly search people for glue sticks.”

“What makes you think that? That he’d use a fake page?”

“It just seems to fit in with the modus operandi. Fake library card; fake barcode, fake page. If you were determined enough, you could pull a barcode off another book or the desk when no one was looking, and stick it in. Library cards can be stolen.”

“This name, though,” Cecelia gestured at the card. “It’s not in our system. Instead of using someone else’s card, this guy made his own, and not with the sort of name I’d use if I wanted to remain inconspicuous.”

“Pierre Richat,” Quinn read. “Sounds Cajun. Should make tracking him down easy enough.”

This post is part of the August Blog Chain at Absolute Write. This month’s theme is color as a metaphor for an aspect of one’s writing.

Graham’s apartment was lit well enough from the streetlights below that Allison was able to find her way around without fumbling for a light switch. WJR was playing quietly in the dark, combining with the rain on the windows to generate a sheet of white noise.

“Nice place,” Allison muttered, glancing at the spare surroundings and the heap of dishes in the sink. Her gaze alighted on the overstuffed armchair in front of the radio. “What’s with the purple loveseat?”

“Purple’s my favorite color,” Graham said. “I’ve loved it ever since I had a little cast-iron toy truck that was that shade. Poor old girl was down to her last flecks when Mom melted her down for a scrap drive during the war.”

“Even so, purple doesn’t seem like your color,” Allison said, settling into the chair. “It wouldn’t strike most people as very manly, though it’s anyone’s guess how much raw masculinity matters to someone in your line of work.”

“Not just any purple,” replied Graham. “A very ancient and powerful hue they called ‘Tyrian purple.’ You could smell the sea-slugs they boiled in its manufacture for miles, and only emperors were allowed to wear it. Then, in time, people got to thinking it was a softer color, a pretty color, and now if you see purple at all it’s on a lady’s dress. Slumming in the fashion industry to pay the bills when once only the most powerful man in the world had the right to use it.”

“You think that’s a sad fate for a color that once represented absolutist oppression, huh? Some might say that purple’s gotten its poetic due.”

Graham shrugged. “I feel like purple and I both have a lot in common, in point of fact. Our best days are behind us, and we’re left to grind out what we can in a long, slow afterlife. Such potential, at the beginning, all wasted. So it’s livening up ladies’ dresses while I sit here with a job that can’t afford to pay me. Made into a handbag against your will or chasing down an overdue library book because you’ve got nothing better to do…I’d say there’s a kinship there, wouldn’t you?”

Graham gazed at his shoes as he spoke; Allison felt like she out to do something to lighten the mood, which the weather had already rendered depressing enough. “Being a handbag isn’t the worst thing in the world,” she said. “I know a few alligators that are dying to be just that.”

“Ostriches too,” Graham said, smiling a little. “And I could teach them a thing or two about putting your head in the sand.”

Check out this month’s other bloggers, all of whom have posted or will post an entry of their own about a colors as metaphors for aspects of writing:

Aheïla (direct link to the relevant post)
Ralph_Pines (direct link to the relevant post)
AuburnAssassin (direct link to the relevant post)
semmie (direct link to the relevant post)
Anarchicq (direct link to the relevant post)
CScottMorris (direct link to the relevant post)
PASeasholtz (direct link to the relevant post)
LadyMage (direct link to the relevant post)
DavidZahir (direct link to the relevant post)
aimeelaine (direct link to the relevant post)
FreshHell (direct link to the relevant post)
sbclark (direct link to the relevant post)
Bettedra (direct link to the relevant post)
Guardian (direct link to the relevant post)
M.R.J. Le Blanc (direct link to the relevant post)
laffarsmith (direct link to the relevant post)

Once they had properly tied me up and set me in a chair–not to mention making unambiguous gestures with their weapons–I was willing to listen to the Elrinists’ demands. “What’s it called?”

The lead Elrinist withdrew a piece of paper from his pocket and reverently unfolded it. “Dirk Chiseler and the Gilded Alchemist of the Sargasso Sea,” he said. “Parts I-XIV, in Astounding Tales magazine. July 7, 1938 thru January 17th 1939.”

I stared at him, thunderstruck.

“Well, do you have it in the archive or don’t you?” he cried. “It’s on the list on your website.”

“Well…” I said, examining the instruments of pain, both blunt and explosive, the Elrinists carried. “Let me get this straight. You want a run of a lousy pulp adventure story from a half-rate magazine?”

“It is the only copy in existence,” the head Elrinist said. “We seek it for the wisdom it carries, delivered from our Mission Commander’s mind before he began his great work. Surrender it to us…or die.”

The deadly seriousness in his voice was too much, and I couldn’t restrain my laughter any longer.

Lewis jerked back like a puppet on a string. “No! Please! I’ll tell you what you want to know.”

“Start singing. What do you know about the book?” I’d known from the first that he had a little bit of a songbird in him, but hadn’t been expecting Handel’s Messiah.

“He came by here the other day, looking to pawn it. Said it’d be worth a lot of scratch to the right buyer.” Lewis stared straight ahead as he talked, like a deer in the headlights of a ’32 Cadillac. The truth always was a little blinding for his type, though the fact that he was staring down the headlight of my .32 Winchester probably helped.

“And what’d you say?” I asked, though I already knew the answer. A rube like him was happy enough to buy a heater fresh from intensive recruitment for the local undertaking parlors, but didn’t have any use for a book aside from a doorstop. Lewis would’ve torn up a Gutenberg Bible to pack the pages around a 4-cylinder that leaked more than his roof.

“I told him to hit the bricks,” Lewis said. “No money in books.” Clearly, he’d never seen the hollowed-out Tolstoy in my office full of liquor futures.

“Where was he going after you told him to get on the trolley?”

“No idea.” Lewis glanced nervously at the shooting iron in my mitt like it was going to jump on the counter and do a dance. “A…are you a detective?”

I put my hat back on and pulled my collar up. “I’m a librarian,” I said. “And Mr. Salvatori’s book is very overdue.”

I found myself waiting in his office with plenty of time to kill ans not a whole lot to look at save the mammoth bookcase behind the desk.

The volumes on the shelf ranged from Kant’s Critique of Pure Reason to the second edition of Integral Calculus. The bindings weren’t worn, and I got the feeling that these books were present not for the entertainment of their owner but rather served to intimidate any lesser minds who happened to glimpse the shelf’s contents.

“Maybe that’s his strategy,” I grumbled. “Sit people down and have his library intimidate them. Softens ’em up.”