“Okay, I’ll tell you. But it’s probably going to sound crazy.”

Dr. Teller smiled. “I hear things that ‘sound crazy’ for a living,” he said. “Most of the time they’re nothing of the sort; I make it a point never to judge.”

“I’m…I’m walking down a long hallway. An infinite hallway. It’s made of beautiful, cold crystal, faceted like a diamond and colored by the blue sky above. I’ve been walking for hours–days–before I notice something.”

“And what’s that?” said Dr. Teller.

“The walls are made out of little cells, smooth and transparent and unfaceted. And suspended in each one…is me.”

Scratching on the notepad. “You?”

“Not me as I am now–I recognize that even in the dream–but me as I was. This hallway has every moment of my entire life preserved like a bug in amber. As I walk I see what I wear and my age and my position all change, one crystal cell at a time. Eventually, I get to cells filled with me as I am in the dream: confused, disheveled, and in my pajamas.”

“How does that make you feel?” Dr. Teller asked.

“I’m…well, I’m terrified. What happens if I keep walking? What will I see? And does the crystal corridor have an end? The idea scares me more than a hundred psychos in the back seat of my car. It…it chills me to my core, as if the hallway has become ice. But I keep walking. I can’t stop.”

You shrug, not really knowing how to respond.

“I’ll take that as a maybe, then,” the man says. “An unfairly maligned response, in my estimation. In today’s world it’s all about the hard and fast, the polar opposites, the dichotomies. There’s no room for ‘maybe’ in a world of ‘yes’ and ‘no.'”

“I…I guess so,” you stammer, still not sure of what the man speaks or what he wants.

“Of course, it can also mean indecision, wishy-washiness, flip-floppery. A reasoned ‘maybe’ has its place in a complicat’d world, but a yearning to please all, to avoid notice, to make unrealistic promises, to overlook…well, that’s no good either. So what is yours, a reasoned and cautious ‘maybe,’ or a cowardly one?”

You take a breath, reasoning to yourself that perhaps playing at the man’s game will make him finish and leave you be. “A cautious one,” you say. “It’s always better to be cautious when you don’t know what you’re dealing with.”

“Maybe so,” the man says, chuckling softly. “Maybe so.”

Jenny had seen an old movie on TV–she could barely remember what it was called anymore–about a young patient who chillingly finds her childish doodles coming true in real life. The film had held her rapt attention for an hour while the sitter made some long distance calls.

In the end, though, it hadn’t been a terribly good movie, with the heroine using her powers for the mundane purpose of exposing a nefarious doctor who had been stealing and selling medicinal supplies on the mean streets. Granted, Jenny’s parents never would have let her watch the movie if they’d been home, but she still felt cheated that the film had squandered all its potential.

She sat down to rectify that the next day.

Using the same character names and first thirty minutes or so of the film (what she remembered of it anyhow), Jenny wrote out a script for a far more interesting adventure, where the doodles became increasingly sophisticated, eventually blurring the line between reality and fantasy and ending on a very uncertain note as the young girl found herself home safe…but also noticed a drawing of herself at home on the fridge.

The story was only ten pages long–hardly epic length–but Jenny felt immensely satisfied in what she’d done. In the years that followed, she often found herself doing the same thing mentally to films, TV shows, and even games she felt had turned out poorly: re-imagining and “improving” them. These improvements were never written down; the first attempt had been proof enough to Jenny that she didn’t have the muse in her.

That is, until she caught the same film on TV many years later. Basking in nostalgia, she put on some popcorn and waited for the picture to implode in on itself as the fabulous premise deteriorated.

Only it didn’t.

The movie ended not with the disappointment Jenny remembered, but with the treatment she’d sketched out on notebook looseleaf as a nine-year-old.

“Grandpa,” Jimmy said. “Kids are always daring each other to go out to Old Town Island to bring back the ‘Feynola Siren.’ What do they mean?”

The old man leaned back in his rocker. “They say the old Feynola City Hall had a warning siren put on it during the war to warn citizens of a U-boat attack.”

“Yeah?”

“In late August of 1951, the siren blew for four and a half minutes at 10:23 am, causing many of the 3000 residents to take shelter, despite clear skies and nothing ill in the forecast,” Grandpa continued. “It was written off as a fluke until the following week, when the siren rang out again at 10:23 and lasted four and a half minutes. Maintenance crews could find nothing wrong with the siren assembly, but it continued to sound once every week, always at 10:23, always lasting four and a half minutes. During the last week of September, the siren was finally disconnected due to complaints.”

“What happened then?”

“The following week, the siren somehow rang as usual. Many have speculated how it managed to do so while ostensibly disabled, but one thing was clear: the siren was heralding a massive Category Five hurricane that was bearing down on Feynola, having suddenly deviated from its predicted course. The storm surge was so fierce that is created a new tidal lagoon inland from the city, trapping most of the residents. Nearly 2500 died or disappeared that day, and the survivors declined to rebuild thereafter. And do you know what?”

Jimmy leaned in. “What, Grandpa?”

“The hurricane had struck at exactly 10:23 am, with the fiercest part of the flooding and destruction lasting only four and a half minutes.”

A cigarette flared to life between her fingers. Technically smoking wasn’t allowed anywhere on school grounds, not even on the loading dock. Then again, the rock keeping the battered door to the teachers’ lounge open wasn’t technically kosher either, and it had been placed there by the principal.

Gene lit his own coffin nail after Weatherby proffered her lighter. “Not exactly being a role model for all the kids, are we?” he said.

“You know damn well they’d smoke whether we did or not. It’s all they have to tide them over before dope and meth, after all,” Weatherby sighed.

“I can see that the beginning of a new school year has you nice and uplifted,” Gene countered.

“Seeing the new wave of children come in…all so young, all so beautiful,” said Weatherby. She coughed. “And then looking at myself–never beautiful, no longer young–frankly, I can’t think of anything so depressing. You’ll have to forgive me if I’m a little grumpy, Mr. Ulrich.”

Gene fiddled with his cigarette, unsure of how to respond. He’d been warned about Weatherby, but he also had to get along with her if he intended to continue smoking out back. “There’s always what you teach,” he said. “Advancing the state of knowledge ought to count for something.”

“You’re an art teacher, Mr. Ulrich,” said Weatherby. “You get to talk to the children about finding their inner voice, expressing themselves, following their dreams. I teach mathematics. I doubt even a Harvard statistician had youthful dreams of solving equations all day.”

“The kids still make mistakes, even in my class,” said Gene. He flicked his ashes into the football helmet-cum-ashtray provided by Hanretty in Phys Ed.

“When your children make mistakes, it’s cute. It may even be modern art. But when my children make mistakes, they’re just mistakes. I get to mark with red ink because no new school of mathematics was ever founded by someone who thought two plus two equals twenty-two.”

“It’s all about possibilities,” Gerald said. “Most people can’t see the possibilities in their daily lives. They’re acted upon instead of acting.”

“Sure, yeah,” Mindy said. “People who are acted on, they’re the real villains.” She wasn’t about to argue with the man who had a loaded gun.

“Take this book,” Gerald continued, sweeping a battered Harlequin off the table. “Dime a dozen at any garage sale. Hundreds come out every month. But think about it for a second.”

It was very pink–that’s all Mindy’s fear-addled mind could perceive. The pink of freshly-shed blood sinking into an immaculate white carpet…

“Imagine all the steps that they had to go through to get this terrible thing published. Someone had to write it. Someone had to proofread it. Someone had to sell if. Someone had to bind it. Almost anyone off the street could do the same, and better. But they don’t. ‘Priss McClachty’ is the one with the fat royalty check in her bank account. Why is that?”

“Because she acts,” Mindy whispered. “And isn’t acted upon.” Someone should have been there by now. Did they not get the message? Had her code been too subtle?

“Now you’re on the trolley,” Gerald said. “Let’s see what’s at the end of the track.”

I didn’t know his–or her–real name, but they were one of my favorite online correspondents–not least because they, like me, tried to maintain capitalization and punctuation even in the anything-goes milieu of the ‘net. Most of our conversations tended to revolve around spelling, pronunciation, and other lexical matters, come to think of it. Any other conversation tended to arrive at that point rather quickly.

daleksex89: I must admit I was impressed you got my username’s reference back in the dark days when so few Americans had seen the programme.

tiberiusjk01: “Programme?” I can’t get over seeing it spelled that way. All those unnecessary letters at the end. Couldn’t you spell it my way and save yourself two keystrokes?

daleksex89: Couldn’t you spell it the proper way at the cost of two necessary keystrokes? You make the effort for capitals and full stops, so why not spell properly while you’re about it?

tiberiusjk01: What’s incorrect about American spelling? It’s much more concise.

daleksex89: Oh, I think American spelling is adorable. So earnestly phonetic, like a child’s letters on an icebox door, with no regard given etymology and history.

tiberiusjk01: And I think British spellings are like an old bottle of snake oil patent medicine, all old-fashioned and hoity-toity just for the sake of appearances. It’s…what’s the word…quaint. Or should that be “kwaynt?”

The next morning, Kevin couldn’t find it in himself to crawl out of bed for so much as a glass of water. His temples pounded mercilessly in what he might have called an ‘uber-headache’ had he been able to so organize his thoughts. Half-hangover, half-migrane, it made the soft lights and sounds of the waking world outside the bedroom all but unbearable. Despite a parched throat and chapped lips, Kevin was too weak to get the bottle of water at his bedside, much less sip from it. And even then the sunshine streaming through the closed blinds and the rustling of the blankets would have been more unbearable than thirst.

People came and went downstairs all day–it was impossible to miss the nuclear detonations that accompanied each footfall, door slam, and idling motor in the driveway. No one could be bothered to check in on poor old Kevin, but in many ways that was a blessing in disguise. A conversation–or, heaven forbid, a hospital visit–would have reaped more in agony than it sowed in goodwill.

“Henri said that the tribesmen captured everything from the convoy. The Hotchkiss and its manual. A frontal assault would be suicide, mon capitan!”

“Then you may remain behind,” said Captain Richat. “Your cowardice will be noted in my official report.”

Claude’s eyes widened at the tribunal and bullet-pockmarked wall the captain’s words implied, and shouldered his rifle. “V-very well, mon capitan. I will lead the assault as you have requested.”

“Excellent. Carry out your orders then, corporal.”

Claude led his men over the crest of the dune, whooping and running. The distinct rumble of a machine gun soon followed; Richat kept himself low and quietly counted the bullets fired by tens.

“Ten, twenty, thirty…”

Screams from over the dune, and rifle fire.

“Seven-ten, seven-twenty, seven-thirty…”

The firing stopped just after Richat’s count made it to one thousand one hundred. He casually surmounted the dune and strolled toward the tribesmen’s position. They were violently arguing over the Hotchkiss, and clearly exposed. The captain’s Lebel cracked eight times, one for each of the raiders. His pace didn’t slacken as they fell; he tossed the rifle aside, its magazine empty, and withdrew his revolver from its well-oiled holster.

Several Bedouin were still alive; a quick report from the pistol put and end to that. Richat found Claude, breathing shallowly and weeping blood from multiple wounds, just before the Hotchkiss.

“You see, corporal,” he said, “the Hotchkiss tends to overheat and become useless after about a thousand rounds have been fired in quick succession. The tribesmen lack the discipline to perform a barrel change; all that was needed was an assault to soak up their fire until that point.”

Claude tried to speak, but red foam was all he could push out.

“Oh, don’t worry,” said Richat. “I will be sure to mention your brave, foolish, and totally unauthorized charge in my report. You may even qualify for a posthumous promotion.”

This post is part of the August Blog Chain at Absolute Write. This month’s theme is color as a metaphor for an aspect of one’s writing.

Graham’s apartment was lit well enough from the streetlights below that Allison was able to find her way around without fumbling for a light switch. WJR was playing quietly in the dark, combining with the rain on the windows to generate a sheet of white noise.

“Nice place,” Allison muttered, glancing at the spare surroundings and the heap of dishes in the sink. Her gaze alighted on the overstuffed armchair in front of the radio. “What’s with the purple loveseat?”

“Purple’s my favorite color,” Graham said. “I’ve loved it ever since I had a little cast-iron toy truck that was that shade. Poor old girl was down to her last flecks when Mom melted her down for a scrap drive during the war.”

“Even so, purple doesn’t seem like your color,” Allison said, settling into the chair. “It wouldn’t strike most people as very manly, though it’s anyone’s guess how much raw masculinity matters to someone in your line of work.”

“Not just any purple,” replied Graham. “A very ancient and powerful hue they called ‘Tyrian purple.’ You could smell the sea-slugs they boiled in its manufacture for miles, and only emperors were allowed to wear it. Then, in time, people got to thinking it was a softer color, a pretty color, and now if you see purple at all it’s on a lady’s dress. Slumming in the fashion industry to pay the bills when once only the most powerful man in the world had the right to use it.”

“You think that’s a sad fate for a color that once represented absolutist oppression, huh? Some might say that purple’s gotten its poetic due.”

Graham shrugged. “I feel like purple and I both have a lot in common, in point of fact. Our best days are behind us, and we’re left to grind out what we can in a long, slow afterlife. Such potential, at the beginning, all wasted. So it’s livening up ladies’ dresses while I sit here with a job that can’t afford to pay me. Made into a handbag against your will or chasing down an overdue library book because you’ve got nothing better to do…I’d say there’s a kinship there, wouldn’t you?”

Graham gazed at his shoes as he spoke; Allison felt like she out to do something to lighten the mood, which the weather had already rendered depressing enough. “Being a handbag isn’t the worst thing in the world,” she said. “I know a few alligators that are dying to be just that.”

“Ostriches too,” Graham said, smiling a little. “And I could teach them a thing or two about putting your head in the sand.”

Check out this month’s other bloggers, all of whom have posted or will post an entry of their own about a colors as metaphors for aspects of writing:

Aheïla (direct link to the relevant post)
Ralph_Pines (direct link to the relevant post)
AuburnAssassin (direct link to the relevant post)
semmie (direct link to the relevant post)
Anarchicq (direct link to the relevant post)
CScottMorris (direct link to the relevant post)
PASeasholtz (direct link to the relevant post)
LadyMage (direct link to the relevant post)
DavidZahir (direct link to the relevant post)
aimeelaine (direct link to the relevant post)
FreshHell (direct link to the relevant post)
sbclark (direct link to the relevant post)
Bettedra (direct link to the relevant post)
Guardian (direct link to the relevant post)
M.R.J. Le Blanc (direct link to the relevant post)
laffarsmith (direct link to the relevant post)