“Look, Luciano, I’ve done all I can,” said Gotti, shrugging helplessly. “If you want to stay here in town, and you want a government job with a nice pension and good hours, this is all I have for you right now.”

“Come on, Giovanni,” cried Luciano. His powerful voice, the pride of the local opera, virtually blasted his old friend back in his seat. “You know I have too much tied up in my house here to move! Especially after Roberta got everything else in the divorce.”

“Well, this is as good as I can be to you as your patron,” said Gotti. “I’m sorry, I really am. I’ll look for better, I promise you, since this doesn’t even begin to pay you back for all those free tickets for me and Esmerelda.”

Luciano looked at the paperwork. “I like the money and I like the hours, but…”

“If you want something right now, it’s this or selling hot dogs to fat American tourists,” said Gotti. “Or you could keep singing.”

“No,” said Luciano. “Not after what happened. I can’t, I just can’t. You know this.”

“Well then, you start Monday,” said Gotti. “One week’s training with the current guy before he retires off to a villa in Tuscany with his grandkids.”

“Still, I don’t know,” said Luciano. “I’m just not sure what an opera singer does the only available job is in the quietest library in town.”

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The Royal Opera House! A name that, all on its own, evoked visions of Second Empire furniture, dazzling chandeliers, the cream of a potpourri of baronetcies and earldoms.

And Annie was there in a t-shirt and shorts.

Even the man in the ticket booth was wearing the usher equivalent of top hat and tails, and he gave Annie an odd look as she paid.

“I didn’t have time to change,” she said, trying for a sheepish grin.

“The performance is beginning in fifteen minutes,” the usher said. “They’re no longer seating people in the main gallery. You’ll have to be seated in one of the side galleries and take your seat during the intermission.”

Annie blanched. “A-are you sure? There’s still fifteen minutes left!”

“Sorry, house rules,” the usher said with a shrug.

“That’s right,” his tone and posture seemed to say. “Unlike you Yanks, we Britons know how to run a proper opera house.”

A second usher, more opulently dressed than the first, led Annie through a side door onto a small balcony with a double bench seat. To her relief, there were several others already there—mostly matronly old ladies and middle-aged men. They were all dressed better than her high school prom king, save one.

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