Dear [name unreadable],

Well, here’s the thing. The Dark Lord Eden Soulrune was supposed to attempt to take over the word and from thus the cosmos in 1988 as foretold by the great prophet Victor Paradox. You might have heard of him; he had a stage show in Vegas for a while.

Anyway, prophecies are generally pretty ironclad about stuff like that, but there was a…well, a hiccup. Let’s just say that two things no prophet has ever been able to predict are the Dow Jones Industrial Average and stress-induced myocardial infarctions. Lord Eden’s financial empire was wiped out by Black Monday in 1987, and he died of a heart attack (the man was evil but he did love his donuts) while raising money and manpower in Zaire.

So the upshot is, there won’t be a need for another Chosen One until the next Dark Lord arises after the next Great Cycle of Being starts in 2024. And the thing about Chosen Ones is that thy kinda need to develop their powers before a certain age. You know how kids can’t talk if they don’t get taught before a certain age? It’s kind of like that.

So we’ve kind of got a Chosen One that we can’t really do anything with. Sorry about getting your hopes up and all that. Mind living an ordinary life from here on out? Thanks.

Yours,
No-Au Ogkrug
Grand Celestial Architect Wizard Esquire

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If it wasn’t one thing it was another.

“What have we got here?” Harriet said, grumpy. She’d spent all morning trying to find an online buyer for a plasma screen TV that had a tendency to distort picture and color. It had looked good enough when the thing had been pawned, but Harriet was sure the shop was going to take a $500 bath on the thing.

A younger woman, college age, had come in with an item wrapped in brown paper. “You guys buy and sell everything, right?”

Harriet rolled her eyes. “You tell me,” she said, pointing to a buzzing neon sign that read WE BUY AND SELL ANYTHING in the front window, wedged between an electric guitar and a Mossberg 500 with the firing pin removed.

“Okay,” the girl said. She pulled off the paper and set a heavy wooden staff on the countertop. “What’ll you give me for this magic staff?”

Harriet sighed and fished for her jeweler’s eyepiece. “What is this, oak?” she said.

“Ash,” the girl said. “It’s an heirloom, a 1927 Wandchester with the optional black onyx gem and leyline engravings.”

“A ’27? Hardly,” Harriet groused. “See the mark here, on the butt? Wandchester didn’t use that until after the war. It’s a ’48 or maybe a ’51.”

The woman reddened. “Okay, it might not be as old as Gammy said it was, but it’s still a top of the line staff. That’s real black onyx and the carvings make the staff shatterproof.”

Harriet took a closer look. “Either you don’t know what you’re talking about or you’re trying to bankrupt me, kid. That stone’s a cheap one, obsidian. You ever see an old Wandchester catalog? Obsidian’s at the bottom, cheapest stone that’ll hold a charge. And this enchantment? It’s custom-engraved all right, but it’s for stain maintenance, not shatterproofery. Again, cheapest one in the catalog.”

“Are you sure about that?” the girl said, sounding wounded.

“Look, I bought a 1901 Tiffany staff last week for thirty-two thousand dollars, kid. I know what I’m talking about.” Harriet looked her customer in the eye. “I’ll give you $250 cash for it or pawn it for a $500 loan payable in 90 days.”

“Even if what you say is true, it’s still a good piece!” the girl cried. “It’s old and in great shape.”

“The shaft in nicked, the enchantment is wearing off in three places, and the obsidian is being held in with cheap-ass glue.”

“Can you give me at least $1000 for a pawn?” the girl said. “I won’t need it until the new term starts and I’ve gotta make rent!”

“$600. Final offer,” Harriet said. “It’s a buyer’s market, and unless you want it ground up for pixie dust by weight that’s the best you’re going to get.”

Jameson huffed on his cheap, mean cigarette. “It was a mystery for a long time, but now it’s pretty much an open secret: the royal family has a genetic predisposition to acute bufomorphic osculitis.”

“Acute…what?” The strong local Cinnibarian liquor was making Cartyr’s ears buzz, but he was still reasonably sure that the last thing Jameson said would have come out as gibberish to the stone-cold sober.

“Did they just throw you into this assignment out of grammar school, or what?” the elder journalist groused. “Acute bufomorphic osculitis is when someone with massive inborn magical potential–specifically, for alteration or mutaremagicae–and can’t control it. Different families have different strains of osculitis, probably dating from whatever forebear had the mutation in the first place.”

Cartyr sipped his local firewater. “That doesn’t explain why the princesses can never marry.”

“It’s sex-linked, so only the ladies can get it. Men are just carriers.”

“I’m pretty sure there’s something in the big book of reporting about getting to the damn point,” Cartyr cried, thrusting his pencil at his blank reporter’s notebook. “You still haven’t told me what buffomoronic occultis is!”

“Guess you never had any Latin in grammar school either.” Jameson ground out his coarse smoke and lit a new one from the ashes. “It means that anyone the Cinnibarian princesses kiss turns into a toad, and that any toad the princesses kiss turns into a man. Or, I suppose, woman.”

Wilma loped after the intruder, baying, while Fred scaled to his favorite perch with a yowl and watched the ensuing chase with eyes shining in the semi-darkness. I had quick thoughts of trying to nudge Wilma back behind the kiddie gate, lest the intruder be carrying rabies or some other nasty cocktail of diseases, but she put the lie to her 16 years on earth with a surprisingly energetic pursuit. It was all I could do to follow armed with a broom.

The strange dog, for its part, seemed equal parts terrified and purposeful. While zigzagging across my living room, upsetting furniture and bunching up rugs, it nevertheless made straight for the kitchen. I lost sight of it for a moment, but when the dog reemerged, still tailed stubbornly by Wilma, I saw that it had a boneless chicken breast–one I’d set out to thaw for dinner–in its mouth.

It was only when the intruder made its escape, through Wilma’s doggie door, that I understood how it had gotten inside in the first place. I was able to slide the lock into place before my geriatridog chased the interloping hound outside, but, seized by intense indignation at having my house invaded and my pets threatened, I went through the large door, still clutching my broom, seconds later. It was a bright night out and the streetlights were on; I expected to see the dog running for the treeline across the street and 500 yards away.

Instead I caught a glimpse of a small, pale child in a pool of streetlamp light.

It glanced over its shoulder, and I could see my chicken breast defiantly clamped between rows of square white teeth. Eyes shone vividly in the twilight, and a moment later the figure vanished behind my garbage cans.

The Silent Fortress rests in the center of the realm, its battlements higher than any other structure and the dry moat surrounding it so vast that only the sounds of wind and rain may carry. It is, in essence as well as in fact, the very heart of its world.

Every battlement is manned by troops of the elite Laconic Guard, who are all sworn to eternal silence, even in combat. Their armor is muffled by layers of quilting, and decades of training is required to even be considered for admission to the journeyman camp–for the Laconic Guards must fight and die in total silence.

Within the Silent Fortress, the only communication is through hand signals. Not even writing is permitted due to the scratching. Impossibly luxurious tapestries over a foot thick cover the walls to muffle any sound that might penetrate the halls.

There is on exception, though: in the centermost room of the keep is a massive dome in which a singer whispers a quiet and tender lullaby at all hours, day or night. The singers work in shifts, briefly becoming duets, so that the music need never cease.

Why?

Because, laying in a small bed under the apex of the dome lies the Eternal Child, who dreams the world into being.

To wake them is to cause the unraveling of the world.

“Oh, there’s nothing that special about the pendant itself,” Whelk sniffed, glaring at it through his jeweler’s eyepiece. “Your standard dull clay manufacture without a hint of the artifice and passion of fair or the elegant utility of fey construction.”

“You sound just like my great aunt Agnes,” Jennie sniffed. “I half-expect you to ask me to mow your lawn next, with getting yelled at for doing it wrong as the only reward. If it’s such a piece of trash, why did the wax model of Éamon de Valera come to life for the sole purpose of snatching it from me?”

Whelk’s red eyes flashed. “I said the pendant itself was worthless trash, clay,” he hissed. “What it contains is priceless. As I’m sure you don’t know, clay, items of a certain consistency–in this case silver–absorb a bit of their owner’s spark over time. Ordinarily it’s too small to bother with and quickly dissipates on shuffling off or sale, as you vile clay are wont to do.”

“But?”

“But if the object is passed to a close blood relative, the spark will grow. Exponentially. By itself, it can do nothing, but in the hands of one with the power to release that stored spark…it’s a necessary component of the oldest and most powerful magicks.” Whelk tapped the pendant with a twisted claw. “This has been in what passes for a family among you clay for many years?”

“Generations,” said Jennie. “I know my great-great grandmother had it, but it could be even older than that.”

“As I thought. The power in this item–especially if combined with the spark in other, similar items–is extremely rare, extremely valuable.”

“What happens if they release that ‘spark’?” Jennie asked. “What kind of engine does it start?”

“Any number of spells require its presence, and they are always the darkest of rituals–or so say meddlesome twits who make such distinctions,” Whelk said. “Part of the spark’s power is its link to the souls of past owners.” He eyed Jennie. “You are young enough that I expect the release would only devour ten to fifteen years of your candle-brief clay life. The others, though…their souls would be called forth from the Gentle Embrace and consumed.”

“We’re getting out of here,” Jennie cried to the Fáidh, who was examining a rack of shillelaghs. “How much for my pendant back?”

“I’m afraid it’s not for sale,” Whelk cackled. “You only bought an appraisal.”

The thing about speaking with trees is that most people expect it to be like speaking with people. In fact, it’s almost totally alien in every way–about what you’d expect from beings that have less in common with humans than many species of bacteria.

Tolkien did get one thing right, though: trees move slowly. Except as saplings, it may take them years to process information or to pass that information on. Even then, they tend to notice things like unusual winds, heavy rains, changes in soil consistency, and the number of creatures touching them or moving over their roots.

Even those that have the gifts necessary to speak with trees must gird themselves for a lengthy process: getting even a single data point may take days, and converting a statement about the wind and water and roots and leaves into information useful to humans can take even longer. It’s an undertaking.

But when all’s said and done, nobody knows the forests better. If something happens, be it ten, a hundred, or a thousand years ago, the trees will notice.

“What, do you think all dryads have to be prissy little girls prancing around sprinkling fairy dust? I’m an androdryad for Pete’s sake!”

“Well, excuse me!” Jennie cried. “It’s not my fault that all the dryads in d’Aulaire’s are girls!”

“Yes, please do take others’ prejudices and perpetuate them,” the young man snapped back. “That’s going to heal the wounds of generations of androdryads who feel like chopped liver while their sisters are celebrated in melody and verse!”

Jennie opened her mouth to respond, but found herself preempted. “Syke!” Whelk screamed from the back. “Hurry up with those customers! I’ve boxes that need moving!”

“A fine fate for a son of Oxylus and Hamadryas, working as a stockboy for an ungrateful dried-out old bogey,” the androdryad–Syke, apparently–hissed under his breath.

Jennie needed to speak to the shopkeeper, not his assistant, but her curiosity was piqued. “How is it that he can boss you around like that? I thought dryads generally did their own thing. And aren’t you supposed to be tied to a tree or something? What are you doing inside?”

“Oh, so now the clay’s going to lecture me about my own nature, is that it?” Syke said. “d’Aulaires left that bit out, did they? For your information, clay, I am in fact the bound spirit of a fig sapling. The old bogey has it under a fluorescent lamp in the back, and if he doesn’t think my countenance is cheery enough, he holds the water for a few days or switches the light off. He-”

The young man suddenly staggered, looking quite pale. “You like that, do you?” Whelk shouted. “I’ll pull off another leaf if you don’t get rid of that clay and snap to this instant!”

The voice had come from behind. Jennie, startled, turned and pressed herself against the marble wall.

“I said, have you come to steal the treasure? Come to steal the Prophetic Orb?” One of the decorative caryatid columns, the one that looked like a nude young woman carrying a sword, stirred and stepped off its pedestal.

“N-no, I swear!” Jennie cried. “I’m just here to talk to it!”

The caryatid immediately relaxed. “Thank goodness!” She stuck her swordpoint in the ground and leaned against its hilt in a casual pose. “I would have had to kill you then, and I really do hate killing people. Gives you the feeling that you’re just ruining their day, you know? Or I guess any other days that might possibly have from now until forever, too.”

“But I’m okay if I don’t want to take it?” Jennie said, relaxing a little herself. Posed as she was, all the statue needed was a pair of tights and a cell phone to be the spitting stone image of a college freshman.

“Oh yes. I was created–or was that summoned, I forget–strictly to defend the Orb. Other than that and not leaving except to pursue it, things are pretty well wide open. I love it when pilgrims come to talk to the Orb. Gives me a chance to catch up on all the latest news and trends. Why, I remember about a thousand years ago it was even considered good luck to talk to me before seeing the Orb. I don’t mind telling you–even though I’m a teensy bit ashamed–that I turned that into an opportunity to get the nicest shoes and clothes from those poor folks. They always rotted away after a few decades, though. Pity. Would you like to talk? I think you might be about my size, maybe a little bigger.” The caryatid didn’t notice Jennie bristle at that remark. “Maybe you have some cast-off closet-filler I can drape? I promise, it won’t take but a moment–or maybe two–and then you can go see the Orb.”

“The Orb, huh?” Jennie said. “You mean the one that used to be in the orb-shaped dimple on that pedestal?”

The caryatid glanced over and then did a double-take so comical that Jennie had to laugh despite herself. “It’s gone! Oh no, oh no, oh no! The Fáidh told me this would happen if I kept trying to extort visitors for pretty things!” She glanced at her visitor with a darkened expression–well, really more of a pout than anything–and tried to tug her sword out of the ground. “You took it, didn’t you?”

“And where would I keep an Orb the size of a regulation basketball in this outfit?” Jennie cried. “My pockets are barely big enough for my cell and wallet!”

“What’s so hard to believe about a wax artist’s model taking on a life of its own?” asked the Fáidh.

“You’re not really asking me that, are you?” said Jennie. “This may be one of the more mystical places on the planet, but still have an ATM card and a cell phone in my pocket. I refuse to believe in a world that allows those and magical wax at the same time.”

“You’d do well not to think that way. I once met a being, for example, made entirely out of copper pennies tossed by well-meaning children into wishing wells,” the Fáidh said. “It walked the countryside attempting to make whatever small wishes it could come true and sustaining itself on that positive energy.”

“Let me guess: that was in the 1960s, after a party.”

“Yes, but what does that have to do with anything?” said the Fáidh. “Is the fact that I met an ur-dove that could gather leaves about it to form a body any less wonderful because I saw it after hearing Hendrix at the Isle of Wight Festival?”