“It’s an epidemic, that’s what it is,” says Cascadia Police chief Grant Wuhl. “Everybody thinks it’s easy, safe money. But ain’t no such thing.”

Chief Wuhl is standing by the burnt-out shell of a local math lab, which was firebombed by rivals over the weekend and burnt to the ground. Two tutors and a retired statistics teacher were put in the burn unit at Cascadia General in the attack.

“We’ve seen three attacks like this over the last three months,” says Wuhl sadly. “People know that math is dangerous, and doing math is a one-way ticket to County or worse,” he continues. “But they see those reports coming out in the media, about the massive demand for people in STEM fields and the high salaries at stake and, well…they just get greedy.”

According to statistics provided by Captain Wuhl, the number of illicit math labs in the county has tripled since 2010, and the number of non-violent and violent math-related offenses has quadrupled. Schools have reported their supplies of graph paper, calculators, and protractors are regularly raided. Many local office supply stores have been requiring a teacher’s note to purchase TI-83s, once freely available but now suspect thanks to their key role in the production of math.

“It used to be that you could come in here and just buy a TI-83 for whatever,” says Sandy Perrier, a clerk at the Osborn University Bookstore. “But then we had these crazy-looking guys with pocket protectors and bloodshot eyes coming in to buy 10 or 12 at once. You knew they were cooking math, but you just couldn’t prove it.”

At press time, the Cascadia City Council was considering a draft proposal to introduce programs at the elementary, middle, and high school levels to warn kids about the dangers of using, abusing, and cooking math. Many worry that, with the process glamorized by popular TV shows like Breaking Polynomials or Sons of Geometry, this is a losing battle.

Osborn University, meanwhile, has reported record interest in their new x-ray crystallography program. “You wouldn’t belive how much people are looking for a little crystal math these days,” says Osborn professor Dr. Lewis Dodgson. “It’s crazy.”

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“How much would you say it’s worth?” I had to ask the question because there was a space for it on my form. But we librarians never used the figure we were quoted, because donors chronically overestimate the value of their donations. That collection of newspaper clippings from 9/11 probably wasn’t worth $1000; we’ll talk in 500 years or so.

“Oh, priceless, priceless.” Dr. Devereaux said, her smile never wavering as her head bobbled. “It is the greatest collection of materials ever assembled on this topic, with many unique primary documents!”

“Ah, I see.” I wrote in a value of one dollar on my sheet–the usual dollar amount for “priceless.”

“Yes, I have all the interviews here–transcribed, of course, by typewriter–that I conducted between 1986 and 1992. And over here, in this box, every co-authored book and magazine article.”

The interviews were bound in rubber bands that were in the process of drying to dust, their Borneo stretchiness a distant and sunny memory. Yellowed carbon copy paper wrapped around bushels of cassettes, cornflaking to pieces around the edges…it would take an archivist and a conservator months to recover a single word. And as for the books…

The boxes were piled high with offbeat literature. Umberto Eco. Thomas Pynchon. William S. Burroughs. Philip K. Dick. I picked up a copy of Ubik–a 1985 edition, it would have been worth a few bucks to the right person if it hadn’t been scribbled up in a cramped and frantic scrawl in every margin cover-to-cover.

“How, exactly, were these…inspired…by your subject?” I said.

“Well, Ubar-17 is a multi-dimensional being of tremendous power,” Dr. Devereaux said. “From time to time he choses to invest a portion of this expanded and cosmic vision into a vessel, and the results are always spectacular. Oh, there are side effects to be sure, mental illness, reclusiveness, and so on. But it’s just one of the many marks this beautiful alien being has left on our world.”

“Uh-huh,” I said. It was sort of sad, really; Dr. Devereaux had clearly suffered from some sort of undiagnosed psychotic break int he mid-80s, one that her position as a literary critic had helped conceal. But the gloves were off now, and she was on the greased downward slope toward court-ordered anti-psychotics. “Why did you stop interviewing Ubar-17 in 1992? Did he die?”

“Oh heavens no,” laughed Dr. Devereaux. “Ubar-17 is deathless, as his kind merely transcends into a new multi-dimensional species at the end of their millennia-long lifespan. No we had…well, I can only call it a ‘break-up’ as one would have with a lover. I stupidly allowed an unflattering first draft to do out to the Saucermen Review in Phoenix.”

“I see,” I said, as indulgently as I could. “That’ll do it, won’t it?”

“Ubar-17’s servant Una advised me to retract or correct the article. She’s a dear, though I’m certain she’s not human. Perhaps a gynoid? She never does seem to age, and wears clothes decades out of style until it’s practically rotting off her body.”

“Of course,” I said, in my exasperation allowing a little sarcasm to creep into a tone I’d been able to keep strictly professional. “No human would wear ratty or out of date clothing.”

“Exactly,” said Dr. Devereaux. “One does not simply say ‘no’ to Una, as that is tantamount to saying ‘no’ to Ubar-17. I was cut off from that point on, and worse, Ubar-17 saw to it that I was added to a psychic blacklist. No reputable publisher would touch my book. I had to put it out via Saucermen Press!”

I steeled myself. It was time to try and let Devereaux down easy. “This…may not be a good match for the Hopewell Public Library collection. Have you thought about the Laramie Paranormal Collection in the Southern Michigan University archives?”

“NO!” cried Dr. Devereaux, with a vehemence that took me aback. “I’M NOT GIVING THEM SO MUCH AS ONE PAPERCLIP!”

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“Well,” belches my muse. “You really screwed it up this time.”

“What?” I said. “I made it to 50,000 words. 55,000, even! I won and kept my streak alive.”

“Ah, but you didn’t finish the story this time,” he said, waggling a fat finger. “You notched your lowest wordcount since 2012, too.”

“Does that matter?” I said. “It was an ambitious story without a real outline, and I had a life this time around instead of just free time.”

“You won’t finish it,” my muse said. “It’ll go on the pile with those other half-finished books. The YA book. The noir. The action comedy. That pathetic attempt at political fiction.”

“Look,” I said. “I don’t care if I finish it or not.”

“In this case not.”

“I wanted to tackle some quasi-serious science fiction, some big themes, and try writing some more diverse characters…all at the same time. It was a lot to chew on, but I’m not sorry I bit it off.”

“Oh, you bit it all right,” my muse said, cracking open a fresh brewski. “You bit it.”

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Sir Kaele harrumphed at the sight. A motley bunch of people occupying–no, sullying–the Royal Gardens. Their incessant lute music and off-key singing had kept the king and his ministers up all night, and they showed no signs of dispersing despite being doused with water from the royal bucket brigade and attacked with rubber swords.

Riding up to them on his magnificent courser Runcibelle, Sir Kaele addressed the interlopers: “By order of His Majesty, you are hereby required to desert the royal property immediately!”

One of the people approached him. The squatter’s tunic was bright with swirling colors, and his hair hung long and corded. “Whoa, man,” he said. “You can’t OWN property.”

“Maybe not as a penniless serf like yourself,” sneered Kaele. “Why do you persist in this behavior even when faced with His Majesty’s finest vassals?”

“We are here to peacefully protest the so-called king’s hunting practices,” the man said. “The harvesting of venison and wild boar for feasting iis unsustainable and will lead to the depletion of all animal life in the kingdom!”

“We’re also here to protest the so-called king’s sexist hiring practices,” said a nearby wench in the same spiral-colored regalia. “We demand that men be allowed to work as serving-wenches and women be allowed to work as falconers!”

“And don’t forget about free sexual congress!” cried another.

“And the right to have our apprenticeships paid for by the so-called king!”

“And the taxation of the guilds to keep them from interfering in the political process!”

“The abolition of the knighthood, which eats up so much of our kingdom’s budget!”

“And the replacement of the so-called monarchy with a system of elective and representative government!”

“Here,” said the first speaker, handing Sir Kaele a parchment. “It’s all on this 227-point petition.”

Kaele glanced over it. “How do you expect the king to grant all these requests if he is also to abdicate?” he cried.

“Anything is possible with love.” The squatter approached Kaele and wound a flower around the hilt of his sword.

With a thunderous harrumph, Kaele rode back toward his men.

“What orders, my lord?” his squire said.

“Ready the heavy cavalry,” Kaele said. “We charge at my command.”

Inspired by the song ‘Beatniks a GO GO’ by Hiroki Kikuta, released under a Creative Commons Attribution 4.0 International license.

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Some people say I’m only a horror writer. Now, that’s not fair. Sure, most of my works have oozing guts and dripping eyeballs, but so what? That’s the culture I was marinated in, a world of cheap slasher movies with gory covers lining rental shelves made of repurposed gutters. I wrote what I knew, and it got me a little money, so I kept writing it.

But I can do stuff other than horror. I wrote a fantasy once, you know? Published it under a pseudonym with Tobor Books. No one’s ever found out about it, but it did make the list of notable new books that year. Granted, it was under the “worst genre fiction” heading but hey, that takes a certain amount of talent too. And considering how blitzed I was when I wrote it, anything other than mediocrity is a win.

And science fiction, too! I wrote for one of those anthology series for a while, you know, the ones they were crazy about in the 80s. A different story every week. Mine never aired, though, since the series was canned, but just you wait until they put it out on DVD. Then you’ll see.

Inspired by the song ‘Plan 9’ by Hiroki Kikuta, released under a Creative Commons Attribution 4.0 International license.

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An ACT Debuting Mathematical Constant Proffered for the Education and Edification of the State of Michigan Gratis and Without any Royalties Whatsoever Upon Its Acceptance and Adoption by the Legislature of the Same.

1. WHEREAS Mathematical Amateur Monthy has praised the method employed by J. Dewing Woodard for trisecting the angle as “unique.”*

2. WHEREAS the Michigan Society of First-Grade Mathematics Teachers has noted that J. Dewing Woodard’s method of doubling the cube is “peerless.”**

3. And WHEREAS the Lansing Compass Club has, upon testing J. Dewing Woodard’s innovation for squaring the circle, declared it “like nothing we have ever seen.”***

4. BE IT ENACTED on this twenty-sixth of November, 1915, that the Legistlature of the State of Michigan in Congress Assembled does hereby APPROVE and ADOPT J. Dewing Woodard methods.

5. And BE IT ENACTED that, henceforth, they shall be applied to the financial and pension management plan(s) of this State’s greatest settlement, the City of Detroit, in perpetuity that their genius and foresight may be as evident in a hundred years hence as they are today.

Inspired by the song ‘3.14159265’ by Hiroki Kikuta, released under a Creative Commons Attribution 4.0 International license.

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Welcome, initiate!

Welcome to the wonderful world of Umayyism. While you may think that it is a new thing, our faith is actually the culmination of millennia of revelations! Why, our “cult” is actually far older than the faiths that fear our message of peace and empowerment and poverty so much!

Oh, me? I’m Tad Holiday. You might remember me from my starring role in the TV series The Peacock Gang or one of my movies like The Crimson Child. But I’m here today on behalf of Umayyism as one of its spokespeople, a first among equals, a friendly face to guide you toward a consciousness of faith.

You may have heard about other religions making similar claims to ours. The National Group for the Conscientiousness of Krishna. The Reunification Church of High Priest Comet Park Star. The Saucerists. But Umayyism is quite different from all of them!

Why? Because unlike those charlatans who promise divine revelations in exchange for all your worldly goods, the Prophet of Umayyism asks for only 50%. Unlike those charlatans who make you change your name and move to their compound, the Prophet of Umayyism asks only that you change your middle name to “al-Umayyia” and stay at our compound 52 days out of the year–about a day a week, if you think about it!–during our annual Prophet’s Retreat.

Listen, friends! The Prophet is speaking to you! The question is not what his teachings are–you will find out once your check clears! The question is whether you are willing and able to accept the wisdom of a million millennia. Are you?

Inspired by the song ‘Krishna’ by Hiroki Kikuta, released under a Creative Commons Attribution 4.0 International license.

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“That’s the trick to making real money right there,” said Calvingham. “Find something that nobody else makes but people need. Buy it up, then raise the price.”

“I see.” Hobb tightened his hands on the wheel. “Like what?”

“Just the other day, I closed a sick deal,” laughed Calvingham. “Literally. There’s a…I dunno, a sulfide pill or something. Anyway, they use it for infections that you only get if you have real bad cancer or AIDS.”

“You mean when you have a suppressed immune system?” Hobb said.

Calvingham pointed his fingers like guns at his driver and clicked his tongue. “That’s it right there. This little mom and pop medical supplier was the only place that made it. Now BRO Enterprises, my peeps, are the only ones that make it. At 3000% price and 3000% profit, of course.”

“Of course,” said Hobb. “We’re here, sir.”

“Tasty,” said Calvingham. “Very tasty. How much?”

“1.7 million, if you don’t mind.”

“What?”

“Oh, I forgot to tell you: I own the only limo service in town. And the waiver allows me to adjust the price without notice based on my discretion.”

Inspired by the song ‘Greed’ by Hiroki Kikuta, released under a Creative Commons Attribution 4.0 International license.

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“Tee Hicks was the master of jazz fusion,” said Arringer. “Not just the usual sax and percussion, he had a goddamn synthesizer on stage that he would modulate with a foot pedal to do everything from a Moog pipe organ to just wild static.”

“That sounds…deeply unpleasant,” said the stranger, swirling his liquor. “Don’t people usually try to avoid static?”

“If you do it right, though…perfectly timed and perfectly executed…it’s just another part of the improvisation.” Arringer took a pull from his cup and wiped his lips. “This stuff, your losers on stage playing at being jazz stars? They’re not fit to serve Tee Hicks’ drinks.”

“Sounds like you’ve got a powerful grudge against my boys,” said the stranger. “You think your static-y jazzman was any better?”

Arringer set his jaw. “At the show in ’77, Tee Hicks used static as a duet with his alto sax improv. Blew my goddamn mind.”

“Counterpoint,” the old stranger said.

“What?”

“It was counterpoint, not a duet, when I played the Orpheum in ’77.” A raised eyebrow. “I should know. I dropped out of Juliard.”

Inspired by the song ‘T’ by Hiroki Kikuta, released under a Creative Commons Attribution 4.0 International license.

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“We call it the XTC Protocol,” said Nahhigan, cradling the headset. It looked like a simple plastic headband, with dull metal electrodes around the inside.

James examined it, snapping a few pictures form various angles and taking a few notes to expand into the meat of his story. “What does XTC stand for?”

“Well, in the inital stages of the project, we were using the XML Telemetric and Command format. It’s a sort of telemetry used by satellites and spacecraft, certified by the Object Management Group international standards consortium.”

“I see,” said James, writing the information down while processing none of it. “And after the initial stages?”

“Well, the underlying architecture is the same, so the terminology is still applicable, and the consortium still approves of it, but…well, a lot has changed. You really have to try it for yourself.”

James shrugged. “I’m game.”

Nahhigan clipped the lightweight device, wireless and powered by its own small internal battery. Then, at the click of a mouse…ecstasy. Every receptor, every neuron, in his entire being was alight with pure information, interpretable as nothing less than towering, electric bliss. If any of them had felt one-tenth of what James was feeling, it was no wonder the Object Management Group approved of the XML Telemetric and Command protocol.

“OMG,,” James gasped. “XTC.”

Inspired by the song ‘XTC’ by Hiroki Kikuta, released under a Creative Commons Attribution 4.0 International license.

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