Outdoor rock concerts were the best for caninekind.

There were myriad things to sniff, of course. Effie could feel a thousand pungent and delectable odors fill her nostrils, each a thousand times stronger than any human could perceive. It was like a novel, a story, and if most canines weren’t able to appreciate it, Effie certainly was. She’d been around long enough to know that peoples’ stories were concentrated in their scent far more than in the gibberish that spilled out of their mouths.

Then, of course, there were the tastes. Bins and fields overflowing with the most delectable edibles, many tossed uneaten by the wayside by indolent rock fans. Effie delicately sampled many an entree as she passed through he arena, from pizzas to pretzels to pies. She shied away from the rare piece of chocolate and the much more common alcohol–one try of each had nearly killed her, and once was enough.

Music was an entirely different experience to sensitive canine ears. Not as meaningful as people seemed to find it, but interesting nonetheless. Unlike most canines, Effie didn’t shrink or shy away from the noise; rather, she sat at a safe distance and wagged.

Getting bumped into or stepped on was a very real thing, of course, but most of the concertgoers in outdoor venues were either too preoccupied to notice Effie, or friendly enough that their only reaction was to smile and pet or feed her. Some eco-warriors always tried to capture her for spaying, but she always managed to wriggle away.

That night, after the music had trailed off, Effie made her way into the tent city that housed the concertgoers and curled up on a sleeping bag. The next morning, someone scratched at the half-open door of the tent she’d passed out in.

“Hey Effie, you in there? Feeling better?”

“Just a sec, Jace,” Effie said. She pulled on a tank top and a pair of boxers before unzipping the door.

“You missed a hell of a set, Effie,” said Jace. “Didn’t even need half of those lights thanks to the full moon.”

“Oh, I know,” said Effie, wrinkling her nose with a sly smile as her fingers ran through her mussed-up pixie haircut. “I know.”

Inspired by the song ‘Dog crying in the distance’ by Hiroki Kikuta, released under a Creative Commons Attribution 4.0 International license.

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GesteCo LLC PleasureCenter™ Operations Note

Use of the PleasureCenter™ device for more than 5 minutes is STRONGLY countraindicated. Any alteration of the hard-coded 5-minute time limit will void the GesteCo limited warranty and open the individual to prosecution under the Abuse of Pleasure Act § 10. Doing so despite posted warnings serves to absolve GesteCo LLC and PleasureCenter™ distributors of any and all liability in perpetuity throughout the universe.

Extended use of the PleasureCenter™ may cause the following side effects:

– “burnout” of pleasure centers in the human brain, leading to the inability to feel pleasure without a PleasureCenter™ ever again

– cerebral hemorrhage

– “hyperactivation” of pleasure centers in the human brain, leading to a state of constant bliss until death through coronary failure

– hysteria

– homicide

– violent involuntary spasms

– violent voluntary spasms

– atheism

– theism

– myocardial infarction

– coma

– death

– resurrection

Please use your PleasureCenter™ only within acceptable means and limits.

Inspired by the song ‘5 minutes pleasure’ by Hiroki Kikuta, released under a Creative Commons Attribution 4.0 International license.

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Heeey there, listeners out there in Transistor Radio Land! This is your old pal Nine-Volt, AKA Nines, AKA Niner-Niner, AKA Volty. I’m coming at you live from my underground pirate transmitter, which the FCC has been trying to locate and shut down for well over five years now. Give it up, guys! Here’s a tip for you: that piece of steel you had dynamited in Matamoros last week was just a decoy.

Fact is, you’ll never find your old pal Nine-Volt, so you should just stop trying!

Before we hook you up with some more music, we’ve got some business to take care of. You might hear that sick beat in the background while I’m talking to you; many thanks to the fan who sent that reel in parcel post. It might just be behind all of old Nine-Volt’s pirate transmissions from here on out!

A fan in San Fernando would like to shout-out to Oswaldo Hernandez of Glen Valley, CA; she sent in a fiver and a reel of a song to be played for him. Thanks for the scratch! Your song will be played tomorrow at 4:20 PM Pacific.

A dark warning here from a listener in Kentucky for one “B.S.” This fan says “I am coming to kill you slowly and painfully” and sent in a reel with a song to that effect. Look out, B.S.! Since there’s no bribe, I’ll play you your death song whenever I get around to it, but you’d better grow eyes in the back of your head!

Finally, before we spin our next reel, I’ve got a package here from a listener behind the old Iron Curtain, who’s given me a manifesto to read and a reel to spin. There’s a hefty bribe for old Nine-Volt but it’s in Polish Zloty. Once I get that converted, we’ll see about getting your manifesto and your music out there. Listeners beware: it’s in Polish and it’s three hours long!

Inspired by the song ‘9V’ by Hiroki Kikuta, released under a Creative Commons Attribution 4.0 International license.

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“Optomism! That’s the watchword you need. Optimism! Seeing the best in everything. Optimism! Do it with a smile!” Bubbly and bouncy, the words were delivered with childlike enthusiasm and a youthful lilt.

“I’m optomistic,” deadpanned Captain Swann. “I’m very optimistic.”

“Well, then, show me! How do you think your voyage is going to end?”

Swann turned to his co-pilot. “Do we really have to go through this?” she said. “All I need is navigational clearance.”

“Well, these beacons were designed to be chatty. And most of them haven’t had a live contact in so long that they’ve started to go a little loopy.”

“Come on, then!” the beacon said over the open channel. “Sing me your optimism song! I want to hear it rattling the timbers of your noble vessel!”

Inspired by the song ‘Oval of Cassini’ by Hiroki Kikuta, released under a Creative Commons Attribution 4.0 International license.

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“Totalitarian Robot Televisions have been in the Top 100 for month, the Top 10 for weeks, and #1 for five days. And you’re telling me that they’re being sued?”

“That’s right, sir. The drum loop and samples that they used for the bass line came from Concussion Statuette’s 1977 album Without Makeup. Used without permission.”

“What do they want?”

“They want a million dollars, sir.”

“What?”

“Per minute, sir.”

“…how long is the song?”

“8 minutes and 13 seconds, sir.”

“Put on something soothing and morose from the back catalog. This is going to hurt.”

The Penitent Barrister Original Motion Picture Soundtrack it is, sir.”

Inspired by the song ‘813’ by Hiroki Kikuta, released under a Creative Commons Attribution 4.0 International license.

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The Emperor of All Oonsda considered himself to be a man of the people. Thus, he often took the elevator to and from the Core in the company of a small army of bodyguards.

“Dear Seven Spirits below, this is terrible!” he cried during one such Sunday trip. “I must say I do not much care for this jaunty tune. Elevators need music that is calming and serene. Something must be done.”

Near the back of the car, the Imperial Elevator Music Composer flattened himself against the steel and did his best to look inconspicuous.

Inspired by the song ‘Never on Sunday’ by Hiroki Kikuta, released under a Creative Commons Attribution 4.0 International license.

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NOTICE
Boffo Bros. Circus LLC GmbH reminds you that, as clowns and members of the International Brotherhood of Whitefaces, Augustes, and Characters, you are bound by its Code of Clownduct. This means:

-No alcohol during performances or backstage. Each pink elephant parade incurs major cleanup fees.

-No sharp corners on makeup, and no incomplete makeup. People are scared of us enough as is without looking like The Joker.

-25 clowns to a car or less. 12 clowns to a phone booth or less. The crash that took 47 lives in 2010 must never be repeated.

-Only soundalike or public domain songs to be used in the performances. The lawsuit with Smokey Robinson was very expensive.

-Animals in pratfalls are limited to 200 lbs. or less. We all remember what happened to Jumbo.

-Setzer water is to be used FOR PERFORMANCES ONLY. Anyone caught taking bottles home will be docked pay. This goes for pies as well.

-We have had reports of clown costumes and makeup that mock contemporary figures in politics and art. While this was once acceptable, now there are too many lawyers for this to be feasible. The People of the State of California vs. “Governor Jerry Clown” was another major expense.

Inspired by the song ‘Uriah Heep’ by Hiroki Kikuta, released under a Creative Commons Attribution 4.0 International license.

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So we’re going to have a fairy tale. But it’s not going to be like your usual fairy tale.

For starters? No fairies.

Yeah, you heard that right. No fairies. None. I hereby banish all tiny winged people from my fairy tale. It’s only a fairy tale in terms of genre rather than the presence of any actual fairies.

Is your mind blown yet? Well it gets better.

You know where most fairy tales–and again, I must emphasize, there are NO fairies in this tale–are set? That quasi-medieval, idealized vision of old Europe? None of that for MY fairy tale. It’s going to be set in a decaying industrial area north of Leeds, a land blighted by the greed of mankind and in which nothing natural can live without a thorough stunting.

And the plot? Well get ready. Instead of princes and princesses, noble steeds and great chariots, there will be petty minicipal leaders, corrupt cops, and sputtering old Leyland autos that only the poorest can afford to keep on the road.

My fairy tale will be a grounded, gritty retelling of everyday people going about their everyday lives in a world that neither knows nor cares that they exist. Original, isn’t it? I bet you wish you’d thought of it first.

Inspired by the song ‘Far from a fairy tale’ by Hiroki Kikuta, released under a Creative Commons Attribution 4.0 International license.

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“I love this waterfront. Nobody does a riverwalk like the Europeans.”

“It probably wasn’t as romantic a hundred years ago when this was all pollution and ooze.”

“Still, look at it now. All that stonework…ships in the river…everything is so clean and orderly.”

“Just like the stereotype of France, I’m sure.”

“Can’t you just enjoy the experience? Look at that sky! Look at those buildings!”

“No, I can’t. And I’ll tell you why.”

“Why?”

“See that aviary over there? Those birds have been staring at us through their old-timey bars since we got here.”

“Probably just looking for a handout.”

“No, that’s not what scares me at all. One of them has something in its beak.”

“What is it? I can’t quite see.”

“It looks like…the key to a Renault. What kind of car did we rent again?”

Inspired by the song ‘Heckle and Jeckle’ by Hiroki Kikuta, released under a Creative Commons Attribution 4.0 International license.

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“You all know me as a consciencious woman, and I intend that to be the case into my reign,” said Charlotte. Though not yet officially invested as Queen of Anjion, she posessed the Privy Seal and the full backing of the Estates of the Realm.

More importantly, with her parents both the only child of only children, and her brother dead in a shallow foreign grave, Charlotte was the only claimant to the throne who was not also a noble from the hated rival kingdom of Burgevy.

The garden party, amid the magnificent topiary that had been the passion of Charlotte’s father King Gordon, was the first chance for nobles from the First Estate to meet and speak with their young new queen.

“The military adventurism of my brother Sebastian is at an end,” Charlotte continued. “My ministers have just inked a proposal for a lasting peace between the Malmidites and ourselves that will include the return of hostages and the bodies of the dead in return for a small indemnity.

“Truly, yours is an enlightened reign to be,” said the Earl of Salaman. “We, the nobles of the First Estate, stand ready to advise her majesty on all matters of import.”

“Ah, yes, that,” said Queen Charlotte with a delicate smile. “It’s come to my attention that there has been quite a bit of jockeying for…influence…in my court. I want it understood that the final decision in all such matters will rest with me.”

“Surely her majesty would be more comfortable with a firm male hand on the rudder of the ship of state,” said the Marquis D’Undine. “We would not seek to have the full weight of administration resting on such delicate shoulders.”

“Of course you would,” said Charlotte mildly. “Which is why you are going to trim this entire garden this afternoon.”

“I…I beg your pardon, majesty?” stammered Marquis D’Undine.

“With your sword,” Charlotte added. “My father, King Gordon, found his greatest inspiration in statecraft from his topiary and flowers. I trust it will be just as inspiring to your lordship.”

“Your majesty, I must protest,” said the Earl of Salaman. “Asking a member of the first estate to do such a thing with his sword of state? That is unheard of. Uncalled for!”

“You are quite right, my lordship,” said Charlotte with a quiet curtsey. “You will assist the Marquis in his cultivation, and I will assign a few of my Life Guards to oversee your efforts and ensure that you do not neglect your education.”

Before any more protests could be uttered, Queen Charlotte was away, moving with a brisk step.

“If they protest or try to escape, see that they trim the black poisonwood next. Without any gloves. The blisters will serve as a reminder of their lesson today.” In a singsong voice, Charlotte continued: “Now, let us away to the piano for a jaunty tune.”

Inspired by the song ‘Queen Charlotte’ by Hiroki Kikuta, released under a Creative Commons Attribution 4.0 International license.

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