Gerald looked at the mountain of paperwork and heaved a tired sigh. Estate law was never pretty, but it became geometrically less so the more heirs and more money was involved.

At least the content of the various briefs was somewhat unusual. In contrast to most intestate cases, which tended to be single people or those felled by thunderbolts in their prime, the Trintles had maintained no less than two wills among them–it was only their sudden and bizarre ends, one after the other, that brought the case to court.

Harvard Trintle, who’d pulled himself up from a family of twelve to dowager head of a major accounting firm, had died simply enough–he’d had a heart attack on his motor yacht, apparently while trying to heft a gas can. The unusual thing was where the yacht was berthed: the port of Aden in Yemen, nearly 8000 miles from Trintle’s registered port of Boca Raton, FL. Harvard’s will left 100% of his estate to his widow.

Agnes Trintle had thus inherited millions in cash and real estate…a fact which she had only learned two days after being committed by her only child. Agnes had apparently had a psychotic break, and had been brought in raving about how a being named “Repre Demanoni” was conspiring to send the children of Earth, including her son Harold, to the moon. This would, according to Agnes, revitalize the flagging lunar radiance at the cost of billions of innocent lives. She died not long afterwards, apparently after an allergic reaction to her medication–or, rather, the peanut butter that it had been hidden in. Her will left everything to Harvard, or–if he predeceased her–to Harold.

And Harold Trintle, the last of his line, had no will at all, being as he was only 35 years old and unmarried. He spent wildly of his parents’ cash, having apparently been kept on a rather tight leash up to that point. He had apparently perished in the crash of a newly-purchased Lamborghini on a road near Bristol some months later–“apparently” being the operative word because the car had been plastered against a cement barrier to such an extent that identification of the occupants was more art than science. As an adoptee, Harold had no DNA to test against, though his personal effects were found in the car and he was booked into a local inn under the curious name “Finello Unsubject.”

“State your name.”

“Paul Trudits.”

A pause. “We have no record of you,” the computerized voice said. “Please stand by.”

“No record? I’ve been in the system for years.” Paul’s protest elicited no response.

“We will need to determine which Trudits family you belong to,” the voice said at length. “Please answer yes if any of the following statements pertain to you.”

“Okay, but I’m not sure how-”

“I grew up at Briscombe House in Surence, Stuttery.”

“What? No!”

“My aunt was originally from Unteart village in Gauscierry.”

Paul scratched his head. “What is that supposed to mean? I don’t-”

“My father was stationed at Suarkend in Zamastrahar Province during the war.”

“Where the hell are you getting this? I don’t even know what that means!”

“We’re still waiting for Schoss to turn in his story on the Greek Formal,” said Jamie. “It’s the front page tomorrow.”

“You sent Schoss to cover the formal?” said Pam, incredulous. “The same Schoss that disappeared last finals week and wound up calling his roommate from Munising?”

“The very same. He has connections to the community, and always writes positive articles,” Pam said. “Whenever I send someone like Loam, I get an anti-Greek diatribe the next day, and an avalanche of angry letters from various and sundry Mu Delta Qoppas.”

“Schoss is probably passed out under a beer pong table after throwing up on his camera and/or date,” cried Pam. “Hell, the Greek Formal will just be getting swinging at press time! We’ll have to go with Loam’s story on financial aid or the SMU Times will run with a big white spot where the cover story should be.”

“Hell no,” replied Jamie. “The Greek Formal story is going up tonight . We just need someone to go out and find Schoss: you.”

“What?”

“I need to typset and handle ads,” said Jamie. “If you know how to do that, you’re welcome to take it over.”

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Not even the peyadh spirits themselves could say for sure from whence they came, in the very rare instances that they deigned to communicate with the “slow folk,” who they considered inestimable bores. This mystery didn’t much perplex the peyadh, for they lived very much in the moment and were concerned primarily with entertaining themselves. An eternity of near incorporeality and nigh invisibility to the slow folk made entertainment a must for these restless beings, usually in the form of impish pranks.

One peyadh, who would have called itself a him and called himself Squout if pressed, enjoyed tweaking the patrons of a Great Plains Greyhound bus station. When Squout had first arrived in the area in the 1920’s, he had tweaked the buses’ engines so they failed in interesting and unpredictable ways–the highlight of which had been a Tulsa-bound International Harvester bus whose engine had simply dropped out a hundred miles into its trip.

Squout had eventually come to sympathize with the mechanics who were forced to remedy his tinkering, especially once they, being a superstitious lot, began leaving him small gifts, and turned his mischief on passengers. Swapping luggage tags on similar suitcases was a favorite, as was swapping suitcase contents between cases and between buses. The mill worker, headed to Topeka, was as confused at finding a set of garters in his suitcase as one Miss Anders, bound for the shady side of St. Louis, was when discovering Oshkosh overalls among her unmentionables.

Bleary, Jenny raised her head from the nest of wrappers, cans, and napkins on her desk. The clock said she’d been out for nearly two hours, and the open wordfile on her laptop still blared its humiliating message:

Page 19/19. 5862/5867 words.

“Holy hell,” she breathed. “I’m doomed.”

It had seemed like such a lark earlier. Jenny had heard of the International Book Authoring Event (InBoAuEv or “In-bow-ev” to those in the know) years ago, and it had always seemed like just the thing to soothe her restless writer’s soul, to put an end to all the starting and never finishing she seemed to do. The event’s challenge–write 200 pages or 80,000 words of a book, whichever came first, in the space of March–seemed eminently doable when broken down to six pages a day. And, indeed, Jenny had blazed through twelve pages in that first day.

But then the horror started. Characters lost their motivation and refused to behave, wandering aimlessly in Jenny’s mind’s eye. Her outline broke down in key places. Vacuuming the apartment or surfing internet cartoons gobbled up the time carefully allotted for writing. And now, five days in, she felt like a drowning sailor after a shipwreck–ironic, given that her tale was a modern-day pirate story.

“What’s it going to take to get this thing back on track?” she cried to no one in particular.

She was about to find out.

High Road from Khartoum was a classic larger-than-life adventure tale, one of the great Paramount Technicolor epics from the 50’s. Richard Burton and Rock Hudson had headlined a star-studded cast as British refugees fleeing the Seige of Khartoum during the Mahdist Uprising. It was really nothing more than an elaborate adaptation of Mason’s The Four Feathers with modifications to keep from paying royalties and rewritten to appeal to a postwar audience, but the film had influenced countless others with aspects of the final charge scene in particular appropriated by everything from Zulu to Star Wars.

And Collstein wanted a new adaptation on his desk by Monday. In the old days they might have called it a “remake” or a “re-imagining,” but he called it a “reboot,” that detestable buzzword that implied sweeping away decades of cinematic history was as easy as turning over an old Presario.

I glanced wearily over the producers’ notes. They insisted that the time frame be updated to the present day, that the suicidal charge be modified into a triumphant victory, that the two-dozen pursuers be upgraded to a massive (CGI) army. The Richard Burton character, a retired Army captain, was to be rewritten as a wisecracking photojournalist so the role could be played by a popular rapper who’d lobbied for the part. I was required to work at least of his songs into the film in a diagetic manner. The Rock Hudson part, perhaps appropriately, was to be female and written for the latest pretty young thing to come out of Australia (covering her native accent, of course). There was also a detailed combat requirement: three major firefights, two airstrikes, and a body count of at least 100. I was given leave to use the “f-word” exactly once to guarantee a PG-13.

“There isn’t enough coffee in the world,” I sighed.

Indeed, it’s not often that two cars of similar power come together on the road, and less often still that both drivers are in an equal hurry and take equal affront to being passed.

So when that BMW passed my new Audi on the right, it was on.

Accelerating to pursue is one thing, but a true master of the automotive duel uses the terrain to their advantage. A long curve in the road can by a few seconds, but the real trick is to pin your nemesis behind an 80-year-old or, better still, a truck. Putting on steam to get just close enough that they can’t swing in front of you, and then watching gleefully as they have to break and fall behind…few rushes in the workaday world can equate. Better still if there are cars in the passing lane behind you to put up a buffer.

We dueled all the way, for the entire hour and a half, trading advantages several times. In the end we were neck and neck when I reached my exit; I saluted my worthy adversary by giving them a jaunty salute.

With a single finger.

Johanssen took a fresh puff from his cigar. “Phantasms are manifestations of residual emotional energy, kid. That means when you get right down to it, they spring from the human mind. And as anyone ought to know, the human mind is a seriously messed up place. God really should have taken that one back to the blueprints.”

“Like what?” said Adrian.

“For example: the more agitated you are, the more emotional energy you put out and the more likely it is to stick around,” Johanssen said. “So a lot of the really fun phantasms tend to be associated with old mental hospitals. A drooling lunatic with paranoid delusions puts out major emotional wattage in the same padded room for twenty years, you’ve got a good chance of a phantasm. He croaks, you’ve got a good chance of a motile phantasm. Best of all, there’s a strong chance the phantasm will take the form of something from the nutjob’s coconut.”

Adrian crossed his arms and looked at Johanssen expectantly. “You’re not going to just leave it at that, are you?”

In fact, it was clear from the fire in the old man’s eyes and the rate at which cigar smoke belched out of him that he’d been tearing at the bit to share ever more. “This one time we were called in to sweep a San Fran kookhouse. Found a whole nest of ’em. Loquacious bunch, too: Gil got them talking. There was the Chosen Sloth of the Beginning, which came out of a paranoid delusion of a luminous treehanger that was going to remake the world in its own image. Then you had the Banjo Skeleton, which really doesn’t need a whole lot of explanation. And the Disco Colossus of the Drive-Through…well, maybe when you’re older.”

Having a worrisome disposition and an introspective bent, my mind likes to keep itself busy by staging existential crises in moments of downtime when I ought to be relaxed or otherwise blase. I call these “Holy Shit” moments.

Standing in the express line at Metromart behind a pair of sorority girls with far more than ten items and a series of credit cards that kept being declined, without even a rack of tabloid magazines to glance over, my mind decided it would be a good time for a “Holy Shit” moment.

“Holy shit,” I said to myself. “This isn’t a game, or a movie, or anything else. It’s real. I’m here, right now, looking through my eyes.”

I reeled a bit as the sisters from Theta Theta Whatever pulled out their fourth card of the transaction. “I’ve never experienced anything outside of me; I’ve never even seen myself outside of a mirror,” I continued. “I really am Derek Ulster. I’ll never be anyone else, never see from anyone else’s point of view.”

A rising panic clutched at my heart. “My life is real, I’m living it right now, yet I’ve wasted so much of it. I’m wasting it right now! I could die tomorrow. What if this is all there is? I could be watching the sunset on a tropical beach, and instead I’m waiting in line at Metromart for the five-hundredth time in my life!”

“Next please,” the teller cried. The feeling rapidly vanished, and I felt the panic subsiding. Sheepishly, I added a bag of potato chips to my meager basket–a little starch to keep my mind sleepy and listless.