Marguerite Séléka stirred on the straw mat in her filthy cell as the sound of keys echoed in the lock. To her surprise, it was not a policeman or soldier that entered but rather a short and broad-shouldered man in an immaculate and bemedaled uniform with a gold-tipped ivory cane. In the Bangui heat, sweat glistened on his brow much as it did on Marguerite’s.

“The Emperor will hear your plea,” barked one of the guards. It had taken a moment for the association from the portrait hung in Marguerite’s elementary school classroom and the occasional hard currency that passed through her hands to sink in; standing before her was Bokassa I of Central Africa, once president and now emperor of the Central African Empire.

“I have heard,” the Emperor said in a deep and authoritative voice, carefully removing first one white glove and then the other, “that you incited your students to disobey the law requiring school uniforms.”

“Your imperial majesty, please,” Marguerite said, using the form of address they had all been taught. Personally she agreed with her father that Bokassa was unfit to be a wagon driver, let alone a president or emperor, but it seemed prudent to show at least a little deference. “My students are poor, and the uniforms are very expensive. Many of their parents have had a bad year, and…”

“That does not matter,” the Emperor said. He took off his hat and handed it and his gloves to one of the guards behind him. “The law requires the uniforms to be worn, and the children must wear them. It is because the uniforms bear my image, for we must instill pride in the Empire from a young age. If you disrespect the Emperor’s image, you disrespect the Emperor.”

“But how were we to pay for those expensive embroidered uniforms with no money?” Marguerite cried.

“There are always non-essentials which may be cut out,” the Emperor said. He unbuttoned his shirt, medals flashing in the sliver of sunlight the bars admitted from outside. “Non-essentials” apparently didn’t include the Emperor’s uniform, or his $20 million coronation in 1977 or his $5 million crown, Marguerite thought bitterly.

“What is to happen to us?” Marguerite said. Having given up on reasoning with the man, she at least hoped to find out about the fate of the children–well over a hundred of them–that had been arrested along with her.

“You will be held as long as I deem it necessary, and certain ringleaders will be…disciplined.” Bokassa removed his fine uniform jacket and tossed it to a guard, revealing a simple white shirt with suspenders. Several flecks of what were unmistakably blood were visible. “Much like Alexandre Banza was…disciplined.”

Mauguerite couldn’t suppress a sob; everyone knew that the Emperor had personally eviscerated the rebellious Banza with a kitchen knife. “So…we are all to die, then?” she stammered.

“The French have been asking that I show…restraint,” said the Emperor. “I think that discipline shall be meted out…and whether the guilty live or die be left up to God.”

He took a step into the cell and hefted his heavy cane like a cudgel. “Dacko and his stooge Banza never understood the importance of involving oneself in the process of discipline,” he said in a low voice. “Great men know that this is of the highest importance. Napoleon led from the front at Toulon, and I follow his example.”

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“I still haven’t met the bride-to-be,” said Houston. “Knowing you, she’s got to be a little crazy.”

“Oh, pshaw,” said Pierre. “Have you even been looking at my Facebook? I’m settling down, getting old and boring.”

“I have a hard time believing that ten years would be enough time to file off those sharp edges,” Houston replied. “Plus, everyone censors themselves now that their grandmothers are on there.”

“Well, judge for yourself,” Pierre said, opening the dining room door. “May I present Ms. Jane Roe, the future Mrs. Pierre Delecroix.”

Houston stopped dead at the sight of the short brunette. Those eyes…that face…he hadn’t seen them in years, not since that terrible night. He could still feel the world tumbling beneath him, see the harsh lights, feel the cold clammy metal…

“Ah, so is that what you’re going by these days?” Houston said. “When I knew her, she was still going by “უცხოელის” but admittedly it’s hard to make a proper introduction when you’re being abducted and probed by ნეპტუნიians.”

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“Don’t you see?” Max’s glasses were fogged by humidity and excitement, his eyes glittering behind nearly opaque screens. “This is a chance to get even with everyone who’s ever pushed us around. It’s our chance to make things fair for everybody and make the town a better place. Hell, the world could be a better place.”

“I…don’t think you’d agree if you could hear yourself, Max,” said Sasha. The…thing…pulsed angrily behind Max, shifting colors from aqua to crimson, and the “veins” that twisted over its surface recoiled with what could only be described as anger. “We’ve seen what this thing will do when it gets bigger.”

“That’s with nobody controlling it, or with someone bad doing it,” Max cried. “With one of us, one of the geeks, in the driver’s seat…it’ll be different.”

“You can’t control it, Max!” Corrie said. “If anything, it’s controlling you!”

More red hexagonal “arms” crystallized from the central, but they were thinner, sharper, than the thick central core of the…thing. “You guys can either get onboard or get our of here,” Max said, a note of menace evident in his squeaky and occasionally broken voice. In school even he laughed at his voice sometimes; no one was laughing now. “If you try to interfere…you’re not going to like what happens.”

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“I’d like to provide a demonstration if I may. Here, write the first thing that comes to your mind on this slip of paper. Try not to let anyone see it.”

“Uh, okay. Here you go.”

“Thank you. Now watch this: I’m going to take that paper and burn it, right here. I hope this doesn’t set off the smoke alarm or we’ll be finishing our class outside today! There we go. Now, let me ask you: was any information irreplaceably destroyed just now?”

“Not really, no. The word was ‘elephant.’ I know what I wrote. I can write it again, I guess, or tell people what it was.”

“A not uncommon opinion, I’d wager. Let’s see a show of hands: who agrees that no information was lost? Looks like most of you. And who thinks that it was? Just a few. Why do you disagree with Margaret?”

“Well, usually when a professor phrases a question like that, they’re fishing for an answer and you can pretty easily tell which one they want.”

“Ha! Spoken like someone who’s been around the block a few times and knows how to use that information! Consider this, though–all of you. The exact strokes on that paper will never be made again, as the mental state Margaret had can never exist again. There’s all sorts of information encoded in that which a trained handwriting expert might be able to unlock. That ink–which a chemist could analyze–and that paper–same thing–are also gone. You can’t reconstruct any of it from the ash. And even if Margaret tells you what she wrote–even if she snapped a cell phone picture of it–some of that information would be lost.”

“So what’s the point of all that, then? Never destroy anything?”

“That wouldn’t work out very well, would it? But you’re right; a professor like me would often use this as a segue into a statement like that, and again you’ve used that information well. No, let me just say this: be mindful. Every action that you take brings information into the world, and you must be aware that the act of deleting it or changing its format inevitably results in data loss, in information loss. That information may be worthless junk, and it may not. But only be being mindful can you prevent the loss of something important.”

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AGENT SMYTHE: Hold on, I can hear something. Boost the signal.

[Static, followed by the sound of gag-muffled speech and heavy, panicked breathing]

FAUSTINO: I am going to kill you, my friend. It grieves me, as it often does, but I must not allow my feelings to influence my judgement. I would speak with you now, though, because it is my great hope that you understand my decision. I cannot ask you to agree with it, but I hope you will understand it.”

[Inarticulate gagged speech]

FAUSTINO: You see, I have invested too much of my family’s life and livelihood in my business to allow any threat, no matter how vague or remote, to endure. If I could talk to myself as a younger man, knowing what I do now, perhaps I would urge him to take a different path with his life. But I am in too deeply; the web that I have spun traps me as surely as any prey. Not just myself; it it were myself only, as an old man, perhaps I could not need to take such steps.

[Sharp metallic sound, perhaps a handgun being loaded or cocked]

AGENT DYLE: Should we do anything?

AGENT SMYTHE: We can’t, not without exposing the wire.

FAUSTINO: But it is also my family: my daughters, their children. Many of them have been shielded from the nature of what I do, but to risk destroying them, if not by prosecution then by the public…it is too much to ask of a man whose family is all that remains to him. I won’t–I can’t–let that happen. Like the sin eaters of old, I have gathered all the wickedness of my family into myself, and I will add to that burden to protect them.

[Frantic muffled speech]

FAUSTINO: I’m sorry to ramble on, but that is also the lot of an old man. I hope now that you understand. Perhaps, when you meet the Almighty, you can tell him what I said. I certainly will be in no position to do so when the violent retirement of my kind claims me.

[Suppressed gunshot; static]

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Graphic design was something you were either passionate about or not. And if not, all of it was completely invisible to you unless it was memorably bad. Not so for Carson Talley. His big break into that world had been redesigning his high school’s letterhead as an art project. Within a year, he’d redone the school paper masthead, the school cafeteria menus, even the one-sheets for the battle of the crappy bands.

But all throughout school and college, even as he excelled, Carson was racked with self-doubt and worry. He was a polyglot, a generalist, who loved all graphic design everywhere. From a box top to a pop can to a cigarette butt, all of it was, in Carson’s mind, exciting and equal. The idea of having to give up the possibility of designing anything, to specialize, was anathema.

Luckily, he was able to land what was essentially a dream job, a designer for the major prophouse Studio Properties LLC. Every production from theater to Hollywood needed realistic-looking graphic designs (without having to pay a major corporation); Carson and his team provided them. In fact, he was able to revise and tinker with existing designs in such a way that it would have a copyright violation in any other field. Some of his favorites included:

amazing.com – For productions that needed boxes from a certain online retailer. Carson deftly revised the famous “smile-arrow” logo into a lightning bolt.

Gurkha-Cola – A soft-drink in an off-red can and cursive font that looked similar enough to a sugar-water-selling behemoth (especially in cursive) to pass muster. Carson designed everything from cans to bottles to full-size ads featuring penguins. He also designed a fierce competitor, Parsi Cola.

O’Douls – A franchisee for fine fatty foods, from signage to discarded wrappers. The O and D were designed in such a way to suggest a certain set of golden-fried arches.

Talley’s – Perhaps Carson’s most sentimental creation, a faux liquor company. Responsible or everything from Talley’s Premium Dark Lager to Talley-Hauser Golden Ale to Col. Talley’s Private Reserve Brand Old No. 9 Tennessee Sour Mash Whisky.

Inspired by this very real business.

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The truest way to measure years
Is not in hours but in tears
We weep for others when part we must
For friends, for family, for those we trust
With joy-stained faces eye to eye
With bitter dregs when saying goodbye
No one’s lived who hasn’t wept
For the memories, the souls, the covenants we’ve kept

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PLAY-BY-PLAY: It’s the 2nd down and there’s 10 yards to go on the Chicago 30 yard line, with 6 minutes left in the quarter. We just saw Masterson tackled by Tennison on Chicago’s 26, 4 yards lost.

COLOR: Fitz is not happy about that, you can see it on his face.

PLAY-BY-PLAY: There’s Masterson back for the throw. And there go his boys, swept by Detroit. And there goes Masterson himself, sacked by Tennison for the second time in as many minutes.

COLOR: Good day for Detroit and Tennison out there. Man’s writing pure football poetry.

PLAY-BY-PLAY: Isn’t he just? Okay, I think that’s the warning siren I hear.

COLOR:
That’s right, Jim. Later than usual, but then randomness is part of the game. How long would you say they have? Five minutes?

PLAY-BY-PLAY: Maybe two. I’ve seen it as low as thirty seconds and as high as ten minutes for arenas with a lot of obstacles between the field and the gates.

COLOR: Definitely adds some spice to the game. Looks like Masterson is up again for Chicago.

PLAY-BY-PLAY: Yes, he’s in position to make the kick for the final down. Detroit has got themselves set up with Tennison again…there’s the snap. Masterson is through! He’s on the 20, the 15…Tennison struggling to catch up.

COLOR: Aaaaannnnd here come the zombies!

PLAY-BY-PLAY: Three of them between Masterson and the endzone, and two on the field to his right. He pirouettes, goes wide, can’t shake them. Clipped by Tennison, still behind him and, zombies closing in…he’s down! Masterson is down!

COLOR:
I count a minute thirty on the clock since the warning siren. One of the better performances by the “third team” in terms of hustle so far this season.

PLAY-BY-PLAY: Masterson is down and the ball is fumbled! Looks like Tennison’s going for it while the zombies finish up with what’s left of the Chicago offensive line. He’s got it, but the zombies are on him now…and he’s out of bounds.

COLOR: Looks like he decided to play it safe and settle for possession and twenty-five yards. The refs are clearing the zombies off him with shotguns and putting up the plexiglass. Looks like Chicago just took a time-out, stopped the clock, probably trying to regroup. Tennison’s on fire today.

PLAY-BY-PLAY: Isn’t he?

COLOR: He got that interception for the touchdown earlier, and here he’s got the zombies all over Chicago’s best offensive lineman without a scratch himself. I smell an NFC defensive player of the month.

PLAY-BY-PLAY: The month at least!

COLOR: That’s what every defensive lineman wants. Lots of sacks, lots of interceptions, lots of zombie-kills. Sack numbers, interceptions, those are good. But then, when you start getting into the zombie-kill numbers, and the opposing-players-zombified, now you’re talking.

PLAY-BY-PLAY: Oscar Earle is back to punt for Detroit. He’s done well against the zombies in other games. Any word from the field on Masterson?

COLOR: Well, to judge by the blood stains he’s probably…yes. Yes, you can see him rising from the grave right there, with that distinctive shambling gait. Masterson is taking the field again as a zombie, no doubt about it.

PLAY-BY-PLAY: One of the better draft picks by the “third team” this season. Looks like he and Tennison get a rematch.

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This post is part of the February 2013 Blog Chain at Absolute Write. This month’s prompt is “Suggest-A-Prompt,” in which the previous poster chooses the topic; mine is “Yuppies Who Hate the Family Business”.

“Maynard and Company, Lilly Maynard speaking. How may I direct your call?” Lilly said into the old-fashioned handset.

“That’s too stiff and formal,” said her father, greying old Augustus “Gus” Maynard. “We’re a friendly family business, not a bunch of goddamned robots.”

Lilly’s brother and fellow Harvard Business School graduate Dennis massaged his temples, eyes closed. “It’s a fine, professional way to answer the phone, Dad.”

Gus’s eyes glittered in his raw and wrinkled face. “Not the way we do things; my father left me this business, and he helped build it with his father by not being a robot.” He struggled to make a hand gesture to emphasize his point, but the mild stroke that had brought Lilly and Dennis back to help run the business made it impossible to form a coherent one.

“Well, Mr. Burton, have you done business with us before?” Lilly was palming through Gus’s records system–namely piles of yellowing paper heaped atop the desk. “I’m not seeing your name here.”

“Is that old ‘Burt’ Burton?” Gus cried. “For the love of Pete, Lilly, don’t go talking to one of my oldest and best customers like he’s a pup off the street!”

Lilly stared daggers at him. “Well if you’d like to come in, you’re certainly welcome, but we can’t honor any verbal discounts without a record or a receipt.”

“You let him have that ten percent off!” Gus thundered. “Or so help me I’ll…”

“Dad, calm down,” Dennis said, laying a hand on Gus’s shoulder. “You have to keep your blood pressure under control.”

“Well, maybe you and your sister need to keep your fancy robotic accountant big city attitude under control,” Gus groused. “I knew those scholarships were a bad idea.”

“We didn’t choose this, you know,” said Dennis, as Lilly chattered on in the background. “It’s your business, not ours.”

“Well it ought to be. We’re doing the noblest work known to man, after all.”

“It’s disgusting,” Dennis said. “It’s a cruel and barbaric and exploitative firm, Dad.”

“Well, then you probably know all there is to know about running it then,” said Gus icily, “seeing as that’s the kind of business they like to teach up at Harvard. I hear somebody up front: go take care of them.”

All too glad to get away, Dennis stood up and smoothed out his suit coat and tie. At the front of the business, he saw old “Pop” Wolverton standing with a bag slung over one shoulder.

“Got the good stuff for you today son,” he said, whistling through missing teeth. Dennis winced as the bag fell away to reveal a dead fox, which “Pop” joyfully pressed into his arms. “Try for a bit of an active pose this time, snarling. Cost is no object; been a good year on the poultry farm.”

“Of course,” Dennis said, forcing a smile as unspeakable fluids began to work their way into his suit. “At Maynard and Company Taxidermists, we aim to please.”

Check out this month’s other bloggers, all of whom have posted or will post their own responses:
Amanda R
ConnieBDowell
bmadsen
MsLaylaCakes
HistorySleuth
writingismypassion
katci13
KitCat
Briony-zisaya
CatherineHall
Angyl78
randi.lee
Lady Cat
pyrosama
Ralph Pines
dclary

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“And why should I care?”

“It’s an Oswald, man. An Oswald OS-1. They only made like 100 of these cars.”

“Then it can’t have been that good.”

“It was great! Ahead of its time in just about everything. Look: power windows, power locks, power steering…all before that stuff was standard or in some cases even invented by the Big Three.”

“So why’d it fail?”

“Why does anything that’s ahead of its time fail? The world wasn’t ready and no one wanted to buy one.”

“Mmm.”

“Come on, you’ve got to let me buy it.”

“Look, the junkyard regulations don’t allow it, okay?”

“But you’ve got to! You can’t just consign what might be the very last Oswald to the crusher!”

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