In the summer of 2003, I was staying on the island of Capri with a group of students from the United States. Capri was an island every bit as gorgeous as I had been told, but my fellow students preferred to lounge around the pool at our villa drinking overpriced beer, which honestly you can do anywhere.

What I really wanted to do was to visit the Villa Tiberio, the hilltop home of the second Roman emperor, Tiberius, to which he had largely withdrawn for the last years of his rule. It had been, for all intents and purposes, the capital of the Empire, and it was there that Tiberius—Caesar during the Crucifixion—had died and his insane successor Caligula had seized his signet.

I wasn’t able to convince anyone to go with me to the Villa. The misty rain and my vague directions didn’t help, but the previous day had been sunny and everyone had opted for more lounging around the pool, more sipping beer, rather than what might have been their only chance to see some of the most important ruins in the world.

So I set off by myself, in the rain, with only a guidebook, my camera, and a rain poncho. The bus ride from our villa in Anacapri to the main settlement wasn’t for the faint of heart in the best weather, verging as it did on sheer seaside cliff above azure waters, and the slick roads made me edge toward the inner side of the tiny Italian bus ever more sharply. Deposited quayside in the village of Capri, I hiked the remainder of the way—perhaps a mile—in the rain.

In time, despite my efforts to get lost, the ruins emerged from the mist. They were red brick, capped with mortar of much later manufacture to keep their decay at a minimum, almost disappointing in how much the buildings of two thousand years ago resembled the buildings of today. Some archways still stood, and I sheltered in them from the rain with a slight tingle on my spine. Those same archways had been trod by Tiberius and Caligula, the former a tortured man who had nevertheless ensured his empire would last for 1500 years, the latter the sort of insane despot who would ensure it lasted no longer.

As I climbed the hill on which the villa was situated, I eventually made it above the rain clouds that had concentrated in the lowlands. Capri is vaguely saddle-shaped, and I emerged at the peak opposite the one where my group was staying, on a small hill. Like most small hills in Italy, and most Roman sites, it was topped by a small church, locked tight.

At that church, I met a fellow hiker—the only living human I saw all afternoon. I never did get his name, but he was an American, like me. He had worked as a software engineer back in the States, only to be let go after the worldwide economic downturn that followed the dot-com bubble burst and 9/11. They’d given him six months’ pay as severance, and he had decided to use it to see the world. he couldn’t be sure what the future would bring, but he wanted to be sure he had the experiences he could in the meantime.

I often think about our chat there, surrounded by two thousand years of history. I’ve had many opportunities to go abroad since, and I have tried to seize upon each of them regardless of the cost in time and treasure. Because as I look at my life as it has been since then—stultifying, sedentary, single—it is always instructive to remember the gentleman who set out in circumstances so unsettled I could barely conceive of them to experience what he could.

I’m not so foolish that I can claim that the encounter changed my life. I’m still cautious, conservative, a creature of habit, a confirmed homebody, single as Lonesome George. But there’s lesson and metaphor in the encounter nonetheless, I think. I disdained my fellow travelers for remaining poolside with their beers when there was a world to explore, yet the traveler I met showed me that more often than not I am seated by my own pool with my own beer, rejecting the fantastic in favor of the familiar.

And so the assorted travels since then—Vietnam, France, Qatar, and (if all goes well) Russia—have been my weak and sporadic attempts at going against my nature and living like the gentleman I met: like I had six months’ pay in my pocket and nothing to lose. If I leave this world unexpectedly, with my goals unmet, I will at least have had those few and paltry experiences, and the few soggy words I have thrown together.

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I see in the mirror the old man I will become
Like a child watching the last days of summer
Slipping through arms outstretched and grasping
Has it all been a wasted fading-light afternoon
Or is the inevitable end of childhood and youth
Simply too close for sober clear-eyed perspectives
Only time will tell, and she keeps her secrets close
Even as we, Red Queens all, must run ever faster
Just to keep pace with an accelerating world

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MELINDA: Welcome to the 2015 Love Versus Hate debate, brought to you live here on NBS. I’m your moderator, Melinda Doe, broadcasting from a darkened room in an undisclosed location for fear of reprisals. Today’s telecast is brought to you by GesteCo Pharmaceuticals, Kyoto Processed Ricepaper Concerns Press, and viewers like you. Let’s meet our panelists!

[Logos for GesteCo, KPRC Press flash as their names are mentioned.]

MELINDA: For hate, we have Ulgathk the Ever-Living, Elder Lich of the Nine Planes. He’s a sitting member of the Council of Undeath, sole ruler and commander-in-chief of the Unholy Army, and Undersecretary for Foreign Affairs in the Obama Administration.

[The lights rise on ULGATHK THE EVER-LIVING, who is seated in a thoughtful pose with skeletal fingers tented on crossed legs. He is dressed richly in the style of a European monarch, and horrible lights of madness and magic dance in his empty eye sockets.]

ULGATHK: Thank you, Melinda. Your location unto the millimeter is known to me and my legions of deathspitters. I trust you will take this into account with your impartial moderation this evening.

MELINDA: And for love, Bullsick Nomis, Adjudicator Supreme of the Sacred Cabal with orders to root out heresy, punish nonconformity, and share the love among all religions on all the Earths.

[A light shines on ADJUDICATOR NOMIS, who is seated bolt upright. His costume is equal parts cardinal, pope, and pharaoh.]

NOMIS: Pleased to be here, Melinda. There is much heresy to be hugged to death in this vicinity, I can feel it.

MELINDA: Moving back to hatred, Gothmir the Depraved, Wightfather to the swollen risen across the dead spaces between worlds and fresh from his book tour with the Diewalkians.

[Spotlight on GOTHMIR THE DEPRAVED, a most horrible ghoul. He is dressed in the manner of a presidential candidate, with a small flag of the Plane of Reeking Doom on his lapel.]

GOTHMIR: Spoiler alert: they were fabulous. This is largely because they sold their souls to me to become members of my 666 Wailing Consorts upon their death, but there was some natural fabulousness there as well.

MELINDA: For love now, Grand Mufti Al-Temsah, may serenity be upon him. PR to prophets, manager to messiahs, zookeeper for zealots, and spiritual leader to millions of very volatile worshippers across the celestial sphere, His Unquestionableness is the man you want on your side whether you’re starting or just renovating a faith.

[GRAND MUFTI AL-TEMSAH is illuminated. He appears to be dressed in simple black robes with a neatly kept beard until the sheen makes clear that his outfit is woven black gold and his beard is kept in place with rare and extra holy angel tears.]

AL-TEMSAH: I hope we can have a calm and intelligent debate here, full of peace and wisdom. Though I cannot, of course, be held responsible if anyone disagrees with me or interrupts me and therefore leads my followers to completely independently cause Category Five destruction across known existence.

MELINDA: Our last panelist for hatred is of course Nthaeit, Fallen Lord of the Celestials and Archduke of Wights. He’s been in the news recently thanks to his marriage to Archduchess Cthonia, who our viewers know better as socialite Paris Ritchie.

[Illumination reveals the brown and mummified form of ARCHDUKE NTHAEIT, his milky eyes twinkling with malice. He is dressed as a rapper, though close examination shows that all of his bling consists of actual earned noble medals and decorations either from his unfallen days as Celestial Lord Tieahtn or as Archduke of Wights.]

MELINDA: Give us a sneak peek at what your matrimony has been like so far, Your Infernal Grace.

NTHAEIT: We’re just trying to take things day by day, Melinda. We’re still learning about one another as beings, and that’s not without its little annoyances. I’m annoyed when she leaves the toilet seat up, she was annoyed when I sucked the living essence out of her and reduced her to a dessicated husk to sustain myself. It’s a journey, not a destination.

MELINDA: Wonderful. I’m sure we’ll hear more about it when the special airs this March, exclusively on NBS. And now, our final love representative, Dowager Empress Cnhyn Hallud of the Crimson Empire on Alternate Earth. The 19th and final wife of Crimson Emperor Testarossa, she was plucked from obscurity for her beauty before outliving the Emperor by 40 years and counting. Our viewers, of course, know her as a judge on Princess Search here on NBS.

[DOWAGER EMPRESS HALLUD is busily checking her smartphone, and is dressed in the style of the late Elizabeth Taylor. Her leathery hide is tanned and nipped and tucked, and her head is crowned by the Crimson Gem, heirloom to an empire.]

HALLUD: It is beyond fabulous to see you again, Melinda! I’m sure that we can all commune in harmony through the natural vibration of crystals, animated by love from the Cosmic Egg, our joyous songs kept pure through the avoidance of deadly poisons like calories and vaccines.

[The OTHER PANELISTS exchange knowing sideways glances.]

MELINDA: Our first question tonight is for Dowager Empress Hallud for love and Archduke Nthaeit for hate. Do you think that the current planar economy is, as some claim, unfairly favorable to good? This issue has been raised recently by the Occupy Evil movement, who claim that their rights to welsh on debts, commit human sacrifice, and maintain smug senses of superiority are under threat.

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The personification of my creative muse hasn’t budged from my couch in 30 days. His give-up-on-life pants are earning their name ten times over, while his stained t-shirt is not officially holier than the Vatican thanks to ash burns. If assembled into a pyramid, the mountain of been cans nearby would have contained so much aluminum it would take five men to lift it, and 22 immigrant laborers would likely have died during its construction.

“Well,” he says. “I kept my part of the bargain. How did your attempt to write a fantasy novel AND serve as a municipal liaison for National Novel Writing Month go?”

“Bleargh,” I reply.

“As I thought,” my muse cackles. “You stretched yourself too thin.”

“Buh. Sneh.”

“Look at that,” my muse says. “You can’t even muster the creative juices to respond in plain English.”

“Brain hurts,” I say. “Stop with talky-talky.”

“Only once I’m through gloating,” my muse snaps. Rousing himself, he peels off the couch leaving a shadow not unlike the kind you’d find after an atomic blast. Stumbling over to my computer, he clears away the detritus of frenzied creation and moderation (the internet forum kind, not the doing-less-of-things kind).

“No read-y,” I croak in what sounds about halfway between a hiccup and a sneeze. “No edited.”

Ignoring me, my muse peruses the work. “Huh,” he says. “I’ll give you this: you made it further than I thought you would.”

I don’t respond, and looking over he sees why: I’m passed out in a puddle of my own drool.

“It’s a good thing you’re not conscious to hear this,” my muse adds. “But even with all the stuff that went wrong, I’ve read worse. By you.”

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“I’ve got you now.” The personification of my creative muse, wearing give-up-on-life pants and what might once have been a t-shirt, is lounging on my couch while ignoring the cigar ash and drops of cheap beer accumulating on what passed for his clothing.

“I wasn’t under the impression that ‘getting’ me was your goal,” I say. “Aren’t you, as ever, an appropriation of a concept used by Stephen King (without permission) to give form to my creative angst during National Novel Writing Month?”

“No.” My muse takes a deep drag and a deep sip before continuing. “I’m also a personification of your fear of creative failure and occasional reminder that you’ve bitten off more than you can chew. And I’ve got you this year.”

“How’s that?” I say defensively. “This year I’m writing a fantasy novel, going for something that’s not at least quasi-realistic for the first time. That’s practically my normal mode, my comfort zone.”

“Yes, but you’re also signed up as a municipal liaison. Officially this time, with real responsibilities and stuff, and not the half-assed kind of quasi-ML you were before. You think there’s enough time in the day for a full-time job, finishing what promises to be another 100,000-word novel, and supervising a bunch of other writers and events? Especially considering you’ll be arriving back from a trip to France one day before November starts?” My muse laughs a bitter laugh.

“We’ll see,” I say in return. “Being an ML could energize me.”

“Or it could leave you a dried-out husk, as dead on the inside as on the outside, so dessicated that Egyptian mummies will look at you askance and say ‘what the Helios happened to that guy?'”

“We shall see, my friend,” I say. “We shall see.”

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This post is part of the May 2014 Blog Chain at Absolute Write. This month’s prompt is “Take a Character, Leave a Character”

MELINDA: Hello and welcome to our program! We’ve got quite the show for you here today, as always! But first, let’s meet our panelists. First up is Ulgathk the Ever-Living, Elder Lich of the Seven Lands. Tell us a bit about yourself, Ulgathk.

ULGATHK: Well, Melinda, I’m currently a sitting member of the Council of Undeath, sole ruler and commander-in-chief of the Unholy Army, and Undersecretary for Foreign Affairs in the Obama Administration. In my spare time, I do volunteer work to help rehabilitate the public image of what I like to call the ‘neglected undead:’ liches, wights, ghouls, ghasts, and my other non-zombie and non-vampire brethren.

MELINDA: Touching! Executive experience, leadership, and volunteering? He’s a triple threat, ladies and gentlemen.

ULGATHK: I am a threat to all that lives or cools in undeath, Melinda.

MELINDA: Our next panelist is sure to be familiar to all you sports fans out there. It’s Tom Hicks, color commentator for NBS Broadcasting. Tom, I hear next season is looking pretty good?

TOM: That’s right, Melinda. I look forward to providing meaningless patter to help fill the otherwise dead air in between sacks, home runs, zombie attacks, and other pulse-pounding moments in sports.

MELINDA: And what would you say to people who call sports commentary boring or vapid? Are they wrong?

TOM: That’s right, Melinda. I would challenge those people to actually listen to one of my rambling monologues, delivered in a sports voice, during the interminable pregame show for a major sporting event. In addition to the usual useless statistics that assume causation, I touch on themes as universal as the philosophy of consciousness, artificial intelligence, and predestination as I am chained in that chair for hours on end with airtime to fill but no one paying attention. Unable to live, unable to die. Back to you, Melinda.

MELINDA: Also joining us on our celebrity panel is Dowager Empress Cnhyn Hallud of the Crimson Empire. Viewers of the popular reality show Princess Search know her as a judge there, but before that she was the 19th and final wife of Crimson Emperor Testarossa, plucked from obscurity for her beauty before outliving the Emperor by 40 years and counting.

HALLUD: The many splendid mushrooms of peace be upon you and yours, Melinda. I seek only to see the beauty in everything, especially that which has no beauty. For what is life but a journey of self-discovery and love and flowers and smiles and puppies and rainbows and love?

MELINDA: Dowager Empress Hallud, how do you respond to critics that call you out of touch, given your fabulous personal wealth and unimpeachable position as stepmother to Crimson Emperor Testarossa II, or criticize the Crimson Empire’s human rights record?

HALLUD: I don’t think about it for even a moment, Melinda. I was a lowly milkmaid until my beloved Testarossa executed his former wife in my favor; as a self-made and powerful person, I seek to help others realize the self-actualization and harmony with nature that I have already achieved. Human rights are but a fleeting shadow substituted for true enlightenment, as my old bocce ball partners Elena Ceausescu, Imelda Marcos, and Madame Mao would tell you.

MELINDA: Here in the corner, still in his neural interface suit and HUD rig, we have noted RPD (remotely-piloted drone) jockey and interstellar prospector Cameron “Cam” Hickson, RPD (remotely-piloted drone) jockey. Cam, I understand that RPDs use faster-than-light communications technology to remotely survey the far reaches of our galaxy with the human pilots safely back on Earth.

CAM: Bullseye, Melinda. Communications are fast, spaceships can be made fast, but we humans are awfully, awfully squishy. Space exploration becomes an order of magnitude easier and cheaper when you strip out the parts needed to keep humans from becoming chunky salsa.

MELINDA: So you sit at home and pilot your drone all day? What makes you any different from a gold miner in an MMORPG like Dungeons of Krull?

CAM: Well, for one thing, I am paid in cash for my surveying and prospecting, and I own my own rig, and I don’t have to kill a hundred kobalds to level up my piloting mojo. For another, when your character in Dungeons of Krull dies, you just respawn. There isn’t a chance of a neural feedback loop that might kill you. And instead of farming the same patch of ground endlessly, I–or, more accurately, my drone–am out there finding real things that will be actually exploited to make life better for everyone. Provided that claim jumpers and psychotic griefers don’t wreck my rig.

MELINDA: Perhaps our most distinguished panelist is next: French filmmaker Auguste Des Jardins, director of Les trois Juliets and multiple Oscar nominee and Palme d’Or laureate. Forgive me for asking, Mssr. Des Jardins, but didn’t you die in 1976?

DES JARDINS: A man must have his secrets, Melinda, and a filmmaker even more so. A wiser man than I once said that no one dies until the last person who knows them through their works can no longer remember; by that measure, I have never been more alive and have, I hope, many long years ahead of me.

MELINDA: Mssr. Des Jardins, your films are as divisive as they are critically acclaimed. There have been widespread reports of seizures, hallucinations, and out-of-body experiences viewing your cinema, especially your last film, The Sacred Cenote. Would you care to respond?

DES JARDINS: I will only say that filmmaking as a whole is a violent seizure, a vivid hallucination, an out-of-body experience of the most profound kind. It is a linking and a meeting of minds, of souls, and I was able to make only very gradual progress toward that ideal with my work. The Sacred Cenote came closer than all my other works combined to the true unity to which I realized I had been aspiring all along. If that makes people uncomfortable, there is always Jaws.

MELINDA: Splendid! Our final panelist was chosen from a pool of applicants to help add a more popular dimension to our program. Please welcome Odessa “Dessie” Mullin, paranormal enthusiast and native of Hopewell, Michigan.

DESSIE: Oh man, it is just such a huge honor to be here, Melinda! I watch this show so religiously that I really ought to be ordianed in it as a high priestess or something. I do just want to say, though, that ‘paranormal enthusiast’ is kind of a misnomer. I do love all aspects of the paranormal, but my first and truest love is zombies. And, in fact, I sometimes slip into a horrifying alternate dimension where the zombie apocalypse, or zompocalypse, has already occurred, and-

MELINDA: Ms. Mullin? I-

DESSIE: -it hasn’t done anything to decrease my love for those lovable brain-eaters. On the contrary, I love them more than ever! But I also love ghosts, and ghouls, and liches, and banshees, and wights, and ghasts, and barghests, and Ulgathk the Ever-Living, and…you know what? Maybe ‘paranormal enthusiast’ is an okay thing to call me after all.

Check out this month’s other bloggers, all of whom have posted or will post their own responses:
Ralph Pines
Sixpence
writingismypassion
Sneaky Devil
BBBurke

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Sourced from the Ruins & Rogues Adventurer’s Guidebook, 5th Edition

Class Description: Works of obscure scholars publishing in dead tongues centuries ago, tales so popular they are stolen over and over again by jealous cheapskates, statistics of obscure government agencies beyond mortal control…these arcane secrets and many more are a siren song to people with little ambition, an obsessive-compulsive’s eye for detail, and an intellect that absorbs trivia like an organic sponge. This is the path trod by Librarians. These canny scholars gather, catalog, and occasionally deign to answer questions regarding arcane information. While they are generally incapable of acting on the information so gathered to work wonders like a Wizard or touch the immortal divine like a Cleric, the Librarian is not to be underestimated. Or so they say. Some Librarians specialize in particular areas, devoting decades to schools of bibliomancy like cataloging, circulation, or reference, others dabble in all of the above with knitting and felinomancy to boot. Whatever their particular knack, Librarians are a force to be reckoned with whenever the campaign includes a library, archive, bookstore, or similar agglutination of books and information.

Role: Librarians are masters (and mistresses) of lore and learning, capable of finding books and information to at least sort of meet every conceivable need. While their offensive, defensive, magic, and healing skills are generally nil, a skillfully employed librarian can often mean the difference between spending three hours or seven lifetimes in the Great World Library dungeon.

NOTE: Unlike the previous editions, the 5th edition of Ruins & Rogues now classifies Archivists as a separate class rather than a subclass as in the 3rd edition or a prestige class as in the 4th edition. No Librarian skills can be learned by Archivists or vice-versa without dual- or multi-classing. For more information on the more focused, more intuitive, but less open and share-y Archivist class, please see pg. 488.

Alignment: Generally Lawful Liberal, Chaotic Liberal, or Neutral Liberal. Lawful Conservative, Chaotic Conservative, and Neutral Conservative Librarians suffer -1 to all rolls and saving throws versus Peer Pressure, Unspoken Assumptions, and Ivory Tower.

Hit Die: 1d4 -1

Starting Wealth: 1d4 x -100 gold pieces (average -250 gold pieces) to represent crippling student loans and low pay in general.

Starting Equipment: Each Librarian character begins play with an outfit worth 10 gold pieces, a library worth 100 gold pieces, and a cat worth -100 gold pieces (to cover the cost of vaccinations, spaying/neutering, and damage to real property). A Librarian character may forego the cat to increase the value of their starting library to 200 gold pieces but will suffer a -1 penalty on all bibliomancy rolls against other librarians.

Primary Class Statistics: Intelligence (INT), Obsession (OBS)

Secondary Class Statistics: Dexterity (DEX), Cats (CATS)

Class Skills: A Librarian’s class skills are Appraise (INT), Bibliomancy (see below), Cataloging (OBS), Circulation (DEX), Evaluate (INT), Felinomancy (CATS), Knowledge (INT), Linguistics (INT), Research (OBS), and Repair Book (OBS).

NOTE: A Librarian character’s bibliomancy skill is equal to: (size of their library)/100 + Intelligence

Skill Ranks/Level: 1 + INT modifier + OBS modifier

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It’s hard to believe, but once again an entire year has passed and EFNB is now celebrating its fourth blogiversary! That’s right, nearly 1500 daily doses of nonexistent literature have been spooned out over the lifetime of this blog. We’ve grown quite a bit, from being arguably the world’s best nonexistent book blog that nobody read to a juggernaut that reaches dozens, if not baker’s dozens, of readers worldwide.

To celebrate, the editors at EFNB have gone behind the scenes to gather some fun and thought-provoking statistics about the site to share with our loyal readers.

Top Posts
1. From “A Muse’s Unvarnished Perspective” by Altos Wexan
2. From “The Irksome Conspiracy” by Sipriano McCroskey
3. From “Why I Hate MMORPGs” by Andrew A. Sailer

Unsurprisingly, the top two posts on EFNB are the ones that attained WordPress’s coveted “Freshly Pressed” status, reaching an audience far above and beyond the usual one of subscribers and spammers. It’s also nice to see that imaginary author Andrew Sailer’s rant against MMORPGs, that cancer of the modern American video game landscape, has struck a chord with our readers as well. His later rant, “Why I Hate Reboots,” is only a little further down the list at #7, proving that rants against pervasive features of modern culture will always have a place here at EFNB.

Top Search Terms
01. southern michigan university
02. i hate mmorpgs
03. rebecca digiacinto
04. jean phillippe demon
05. i hate reboots

The top search term leading readers to EFNB is “Southern Michigan University,” that nonexistent bastion of higher learning. With a Northern Michigan University, a Western Michigan University, and an Eastern Michigan University actually in existence, it’s no wonder that EFNB writings on the nonexistent SMU are so highly ranked. Andrew Sailer’s anti-MMORPG and anti-reboot rants trended strongly as well, though the editors here at EFNB are mystified about why anyone would search for nonexistent author Rebecca Q. DiGiacinto or a demon named Jean Phillippe.

EFNB Internationally
01. United States
02. Canada
03. United Kingdom
04. India
05. Qatar

Visitors to EFNB come from all over the globe, and even though 99% of them are spambots, we wanted to feature them here. The first three are unsurprising, as EFNB and its editors are based in the USA and occasionally touch on subjects like curling and cricket that are of import to Canuck and UK readers. The latter two are the meat of our international audience, which is to say that they are likely spam farms.

A Shout-Out to Our Spammers
Since its inception, EFNB has had 56,972 spam comments blocked or manually trashed, an assault of internet garbage that works out to 37 spam comments per day over the blog’s existence! This staggering waste of resources and bandwidth hasn’t sold a single product, but it has increased EFNB’s internet profile and pagerank substantially! Thank you, spammers, for your continued waste of everyone’s time in a futile attempt to earn a few bucks.

This post is part of the February 2014 Blog Chain at Absolute Write. This month’s prompt is “Characters Writing About Authors”

I come down the stairs into the first floor of my dingy and cluttered house, but I am surprised to see that it is more cluttered than usual. Someone has set out a semicircle of mismatched chairs and filled them with a motley assortment of figures who I recognize but can’t quite place.

“What’s all this?” I say. I only came downstairs for a glass of Coke, to raise my screaming kidneys to a new tenor, after all, and certainly not expecting anyone else to be in the place I shared with me, myself, and I.

“What do you think? It’s an intervention, chief.” Leaning on the wall near the front door is my muse, the personification of my creative impulses, in a greasy A-shirt and boxer shorts. Ironically, he’s not even an original idea, but one shamelessly jacked from Stephen King.

“An intervention?” I say. “What for? I don’t even drink!”

“I suppose you’ll need an intervention for that too, sooner or later,” says my muse, sucking noisily on a half empty beer bottle. “But that’s not what this is about.”

“You write lousy endings for your characters, when they even get the dignity of an ending.” The speaker is Vasily Albanov, the Russian star of a science-fiction novel I wrote and which successfully accumulated 75 rejection slips. “We’re here to intervene and talk about it.”

“What? I don’t do that,” I say, incredulous.

“No? You basically made me watch the love of my life die, after betting beaten up first by her and then by monsters, and all I got was a lousy ‘maybe things will get better from here on out’ ending looking up at the stars!” says Albanov.

“You left me with my hometown destroyed, my friends and family and allies scattered, and no clear way forward, you miserable polecat!” chimes Virginia McNeill, the heroine of a revisionist western I’m in the middle of revising.

“I gave you an epilogue!” I say, waving my arms. “It was very optimistic!”

McNeill makes a derisive farting noise with her mouth. “Suggesting that things are somehow going to get better for my great-grandchildren is about as optimistic as Schindler’s List,” she snorts.

“I got basically the same ending, except I had to be content with a goddamn dream,” adds Peg Gregory, the anti-heroine of a space opera trunk novel I tried to salvage years back. “I was abandoned by my selfish excuses for friends, left to take the rap for what was all the fault of an inconceivable alien lifeform, and all I got was a goddamn dream? Most soap operas get better than that!”

“Look, I-” I begin.

“At least you got an ending!” The other side of the room speaks up, led by a scruffy and sullen-sounding youth I recognize as Eric Cummings, the snarky hero of what I had imagined would be a very serious literary novel. “You gave up on me maybe a quarter of the way through!”

“I wrote you an ending!” I counter. “A very heartwarming one! In advance!”

“It was the same as the one you wrote for Peg!” Eric groused. “You stole an ending from your trunk novel to paste somewhere else and thought that no one would notice!”

The chorus was joined by the hero and heroine of my unfinished action novel, the hardboiled protagonist of my noir novel, and a host of others. The room was such a cacophony I could barely hear.

“I’d break out the hors d’oeuvres, buddy, and fast,” whispered my muse from behind me. “This intervention’s about to turn ugly otherwise.”

Check out this month’s other bloggers, all of whom have posted or will post their own responses:
Sneaky Devil
Anarchic Q
Sixpence
SamanthaLehane
pyrosama
Angyl78
meowzbark
MsLaylaCakes
ishtar’sgate

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For most people a roller coaster is a slice of death-defying thrills inserted into their lives, lives which otherwise politely obey death and invite him over for tea.

For me they have always been a singularly unpleasant experience.

The first drop, when your stomach maintains a holding pattern at altitude while the rest of your body goes into freefall, has always been an intensely unpleasant experience for me. Not to the point of making me sick, usually, but to the point of making me intensely uncomfortable and wondering why anyone would willingly subject themselves to such a treatment. Coasters with no drop are better, and coasters that are all drop are rack-and-hot-coals torture. I could never be an astronaut, since zero gravity is basically like a perpetual drop-at-the-coaster-top feeling. Something tells me that even seasoned coaster junkies would have a problem with that, considering the zero-G trainer plane is called the Vomit Comet.

But the physical sensations are only a part of the picture.

For adrenaline junkies, and indeed for most normal people, roller coasters are a source of pride, a test of manhood (I know very few ladies who are coaster junkies). Turning down a ride is the equivalent of refusing to hunt a mastodon, or perhaps sitting out a football game. Not only do people poke fun at you for doing so, they have a hard time conceiving why anyone would even try to stay on the sidelines.

And yet I must declare that I am a coasterwuss, loud and proud. Or, perhaps, soft and timid as I wobble over to the nearest trash can after a 400-foot vertical drop.

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