It’s been a momentous six years and as we close in on 2,200 posts overall, we thought we’d leave it to some of our most prolific contributors from the last few years to share their experiences of publication with EFNB.
Axton Wales
(Krane Wupinov, Half-Orc Bard, The Vallia Battlements Halfling Toss)
If it weren’t for the editors at EFNB, I wouldn’t have an outlet for turning my D&D adventures into fiction. Nobody takes roleplaying fiction, especially from players who don’t exist. There’s some kind of bias against nonexistent players playing a nonexistent adventure, just because it’s nonexistent two levels deep.
Lucy Y. Shantell
(The Mercenary Goblin, In the Name of Gob)
It’s hard for nonexistent authors to break into any genre, let alone crowded genres like fantasy. So I’m very grateful to EFNB for accepting the manuscript for my novel. I could have done without them chopping it up and publishing little bits of it out of order and therefore scuppering any chance of publication anywhere else, though.
Altos Wexan
(Ode to a Third Place, The Muse of Goo)
I’ve been with EFNB as a publisher since February 2010, and I’ve found no one more amenable to the type of fiction and essays I regularly write. They are a joy to work with and I can’t recommend them highly enough. But while we’re on the subject, guys, do you remember when you promised to stop paying me in imaginary money? Any movement on that front? Rent is due soon and I can’t sell much more of my blood.
Lila-Jenny Swanson II, editor-in-chief, Hopewell Democrat-Tribune
(L. R. Badeau on Being a Full-Time Unicorn [edited], Benchwarming in the Bleachfields)
The Hopewell Democrat-Tribune has had a content distribution agreement with EFNB since 2013, and ours has been an excellent partnership thus far. Nonexistent newspapers serving nonexistent municipalities have been hit harder than most by the economic downturn in the industry. By getting our content out there, EFNB has allowed our staff to continue pushing our progressive, inclusivist, pansexualist, and pro-formican viewpoints in a new age. Best of all, their pay for authors is exactly the same as The Huffington Post: absolutely nothing. Very competitive rates for such an upstart publication!
Klaus Ulrich Baden, Vice-President for Bloggery, GesteCo LLC GmbH
(Depression Werewolves [approved for general release], Cerebral Outsourcing [co-edited])
On behalf of GesteCo LLC GmbH, I am authorized to transmit the following statement, on the condition that it be understood heretoforewith that any objectionable opinions therein are solely my own and do not reflect an official position of GesteCo LLC GmbH. Official statement follows:
Thank you!
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Anonymous
(A Writer’s Razor, Snarky English Major Haikus)
How did you get this number?
Catherine Vennari
(The Secret Plumage, The Raven’s Inheritance)
While there are many fine publication opportunities for connoisseurs of the dark, weird, strange, weirdly dark, and strangely weird, EFNB stands head and shoulders above the rest. Why? One simple reason: I suspect they are a shadow cabal of pigeon-computers networked into a gestalt whole.
Ari Penfield-Cuff
(Jane vs. the Megafrog, Ednesia)
Sometimes I just get the urge to write stuff. Not even writing, more like saying it straight onto paper. No filter. Just let te story flow out, even if it’s about dish soap or kangaroos. It’s just a thing I’ve gotta do sometimes, like breathing or composting or compositing or light murder.
Wait, I was published?
Andrew A. Sailer
(Why I Hate Reboots, The Best and Worst of Bond)
Thanks for publishing my rants. I doubt you’ve gotten much money out of them, but it counts as anger management according to the terms of my suspended sentence, so it’s all good.
Lynn Ruelle Badeau
(Happy (Belated) Unicorn Appreciation Day 2016!, L. R. Badeau on Being a Full-Time Unicorn)
Many sparkles to you on this joyous day!
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